Sarah Morris

Sarah Morris


Born 1967 [American]

Lives in New York


1985-89 Brown University, B.A.

1987-88 Jesus College, Cambridge University

1989-90 Whitney Museum of American Art Independent Study Program



1999-00 American Academy in Berlin, Berlin Prize Fellow

2001 Joan Mitchell Painting Award






1972, Pollock Gallery, Southern Methodist University, Dallas, Texas

Once a Thief, Air de Paris, Paris


Academia Militar, Friedrich Petzel Gallery, New York

Jardim Botânico, Kunsthalle Bremen, Bremen

Bye Bye Brazil, White Cube Bermondsey, London


Mechanical Ballet, Musée National Fernand Léger, Biot

Points on a Line, Wexner Center for the Arts, Columbus, Ohio 


Two Erasing Principles, Dirimart Gallery, Istanbul

John Hancock, Capitain Petzel, Berlin

Personal Best, Air de Paris, Paris



It’s All True, Galerie Meyer Kainer, Vienna

Hornet, K20 Kunstsammlung Nordrhein-Westfalen Museum, Düsseldorf

Gateway, Gateway School for Sciences, Queens, New York            

Clips, Knots, and 1972, Gallery Hyundai, Seoul



General Control, Friedrich Petzel, New York

China 9, Liberty 7, Museo d’Arte Moderna di Bologna

Gemini Dressage, Museum für Moderne Kunst, Frankfurt



Black Beetle, Fondation Beyeler, Riehan/Basel

1972, Städtische Galerie im Lenbachhaus, Munchen

Lesser Panda, White Cube, London



The Towne Index, Air de Paris, Paris

Robert Towne, Ring Paintings, and Origami, Friedrich Petzel, New York

Chinatowns, Galerie Max Hetzler, Berlin



Robert Towne, Lever House, New York

A severe Insult to the Brain, Galerie Meyer-Kainer, Vienna

Sarah Morris, Museum Boijmans Van Beuningen, Rotterdam



Endeavor, Palais de Tokyo, Paris

To Film a Thought In Action, Moderna Museet, Stockholm

Los Angeles, Kestner Gesellschaft, Hannover

Sarah Morris, Aldrich Museum, Connecticut

Los Angeles, Friedrich Petzel, New York

Sarah Morris, New Works on Paper, Galerie Aurel Scheibler, Berlin



If Direction is a Look (with Matthew Brannon), Galerie Javier Lopez, Madrid

Bar Nothing, Galerie Max Hetzler, Berlin

Los Angeles, White Cube, London

Sarah Morris, The Ballroom, Marfa

Sarah Morris, Kunstforeningen, Copenhagen, Denmark

Department of Water and Power [Los Angeles], Museum der Moderne, Salzburg



Lost Weekend, Friedrich Petzel Gallery, New York

Orchid Lounge, Air de Paris, Paris



Sarah Morris: Miami, Miami MOCA

Capital, Site Santa Fe, Santa Fe

Cinecity: The Films of Sarah Morris, Hirshhorn Museum, Washington, D.C.

Rock Creek, Galerie Meyer Kainer, Vienna

At Speed (with Darren Almond), Galerie Max Hetzler, Berlin



Crystal, Friedrich Petzel Gallery, New York

Dulles, Galerie Aurel Scheibler, Cologne

Correspondence, Nationalgalerie im Hamburger Bahnhof, Hamburg and Museum für Gegenwart, Berlin 



Sarah Morris, Kunsthalle Zürich, Zurich    

Sarah Morris, Philadelphia Museum of Art, Philadelphia

Sarah Morris, Galerie für Zeitgenossische Kunst, Leipzig

Rumjungle, White Cube, London



Sarah Morris, Friedrich Petzel Gallery, New York

Sarah Morris, Museum of Modern Art, Oxford



Galerie Max Hetzler, Berlin

Le Consortium, Centre D’Art Contemporain, Dijon



One False Move, White Cube, London

Sugar, Galerie Philippe Rizzo, Paris

Drawings, Anton Kern, New York



Try God, Nicole Klagsbrun, New York



Sarah Morris, Close-Up, New York



Citizens, Kunsthalle, New York





Encountering the City: The Urban Experience in Contemporary Art, Kemper Art Museum, St. Louis, Missouri

Une histoire, art, architecture et design, des années 80 à aujourd'hui, Centre Pompidou, Paris

The Surface of the World, Museum of Contemporary Art & Desgin, Manila

What Is To Come Has Already Arrived, Centro Andaluz de Arte Contemporáneo, Seville

Brown University 250th Anniversary Alumni Exhibition, David Winton Bell Gallery, Providence, Rhode Island

Above and Below the Surface, Eight Artists, John Berggruen Gallery, San Francisco



Wall Works, Hamburger Bahnhof Museum für Gegenwart, Berlin

CITY SELF, Museum of Contemporary Art Chicago, Chicago, Illinois

Leichte Verstörung in den Fabriken, tête, Berlin

The Inside is on the Outside, Glass House of Lina Bo Bardi, Sao Paulo

As Above, So Below, Vitamin Creative Space, Beijing



Only Parts of Us Will Ever Touch Parts of Others, Galerie Thaddaeus Ropac, Paris

Decade: Contemporary Collecting 2002 - 2012, Albright-Knox Art Gallery, Buffalo

A Global Exchange: Geometric Abstraction since 1950, Museo de Arte Contemporáneo, Buenos Aires

The Feverish Library, Friedrich Petzel Gallery, New York

Cool Britannia, Gallery Hyundai, Seoul

Air de Paris Summer Show, Art & Rapy, Monaco

Everything Falls Apart, Artspace Sydney, Sydney

Looking Back for the Future, Kunsthalle Zürich, Zürich

Rasterfahndung. Das Raster in der Kunst nach 1945, Kunstmuseum Stuttgart, 


How Physical, Yebisu International Festival for Art & Alternative Visions, Tokyo

Metropolitan Museum of Photography, Tokyo



Now: obras de La Colección Jumex, Hospicio Cabañas, Mexico City 

Envisioning Buildings: Reflecting Architecture in Contemporary Art, MAK, Vienna

Zwei Sammler: Thomas Olbricht und Harald Falckenberg, Deichtor Hallen Internationale Kunst und Fotografie, Hamburg

Art & Stars & Cars, Mercedes-Benz Museum Stuttgart, Stuttgart

Internal/External Affairs, Residence of the Ambassador of the United States of America to Germany, Berlin

MMK 1991–2011: 20 Years of Presence, MMK Museum für Moderne Kunst, Frankfurt am Main

Videosphere: A New Generation, Albright-Knox Art Gallery, Buffalo

Art and Context, Berezdivin Collection: Espacio 1414, Santurce




Contemplating the Void: Interventions at the Guggenheim Museum, Guggenheim Museum, New York

Funktionen auf Papier, Museum fur Moderne Kunst, Frankfurt

Pictures about Pictures. Discursive painting from Albers to Zobernig, MUMOK, Vienna

Los Angeles, Museo Nacional Centro de Arte Reina Sofia, Madrid

Where Do We Go From Here? Selections from La Colección Jumex, Bass Museum of Art, Miami

Nether Land, Dutch Culture Center, Shanghai

Kupferstichkabinett: Between Thought and Action, White Cube, London

Trust, Media City, Seoul

Architecture on Film, Barbican Centre, London

Sin Techo Esta Pelon, University of Guanajuato, Mexico City




The Kaleidoscopic Eye: Thyssen-Bornemizsa Art Contemporary Collection, Mori Art Museum, Tokyo 

Director’s Choice, Essl Museum, Vienna

Mit dem Fahrrad zur Milchstraße. Werke zeitgenössischer Kunst aus der Sammlung Hoffmann, Kunsthalle im Lipsiusbau, Dresden

20th Anniversary Show, Nicole Klagsbrun Gallery, New York

Morality, Witte de With Center for Contemporary Art, Rotterdam

KunstFilmBiennale, KOMED Mediapark, Cologne

KunstFilmBiennale, Center Pompidou, Paris

KunstFilmBiennale, Kunstwerke, Berlin

Friends of Friends, SCI-Arc, Los Angeles

15 Years Kunstmuseum Wolfsburg, Wolfsburg




Pintura Abstracta Colectiva, Galeria Javier Lopez, Madrid

Jahresgaben, Kunstverein München, München

Peter Saville, Accessories to An Artwork, Paul Stolper Gallery, London

As Long as it Lasts, Mai 36 Galerie, Zurich

Walls in the Street, Museum of Contemporary Art, Belgrade

Delirious Beijing, PKM Gallery, Beijing

The Enterprise of Art, PAN Palazzo delle Arti Napoli, Naples

Beyond Measure: Conversations Across Art and Science, University of Cambridge, Cambridge

Here and Now, Regina Gallery, Moscow

Not So Subtle Subtitle, Casey Kaplan, New York

Rhythmus 21 – Position Des Abstrakten, Städtische Galerie im Lenbachhaus, Munich

KunstFilmBiennale, Cologne

Always There, Max Hetzler Gallery, Berlin

Moscow on the Move, the Garage Centre for Contemporary Art, Moscow                                      

Worlds on Video, La Fondazione Palazzo Strozzi, Florence




Franz West: Souffle, Kunstraum Innsbruck, Innsbruck

Intocable, Patio Herreriano Valladolod, Valladolid

Rockers Island, Olbricht Collection, Museum Folkwang, Essen

German Histories, Galerie für Zeitgenossische Kunst, Leipzig

Abstract Art Now 2, Wilhelm Hack-Museum, Ludwigshafen

Very Abstract and Hyper Figurative, Museum of Modern Art and Western Antiquities, London

Generational Issue, Centro Galego de Arte Contemporanea, Santiago de Compostela

When We Build Let Us Think That We Build Forever, BALTIC Centre for Contemporary Art, Gateshead

Tomorrow, Kumho Museum of Art, Seoul

Everstill, Philip De Lorca House, Granada

New York States of Mind, House of World Cultures, Berlin

Scape, Mongin Art Center, Seoul

Contemporary Galleries Collection, San Antonio Museum of Art, San Antonio

Create Your Own Museum, Gary Tatintsian Gallery, Inc, Moscow

MAM Collectors Council Acquisitions, New Work Gallery, Miami

An Exhibition From the Collection, Galerie für Zeitgenossische Kunst, Leipzig

What is Painting?, Museum of Modern Art, New York

The Shapes of Space, Guggenheim Museum, New York

Perspektiv 07, Städtische Galerie im Lenbachhaus, Munich

Abstraction: Extracting From Reality, Sheffield Galleries & Museums Trust, Sheffield

An Incomplete World: Works from the UBS Art Collection, Art Gallery of New South Wales

Urban Portraits, Cinema Arenberg, Argos

KunstFIlmBiennale 2005 Touring Program, Istanbul Museum of Modern  Art, Istanbul

Mapping the City, Stedelijk Museum, Berlin

Carte Blanche, Cinematheque Ontario, Toronto

Contrechamp, le Cinématographe, Nantes

Films of Sarah Morris, Guggenheim Museum, New York




IDYLLE, Sammlung Falckenberg, Hamburg; Narodni Galerie v Praze, Prague; Domus Artium 2002, Salamanca

Abstract Art Now 2, Wilhelm Hack-Museum, Ludwigshafen

Untouchable, Villa Arson, Nizza

Since 2000: Printmaking Now, MoMA, New York

Ordnung und Verführung, Haus Konstruktiv, Zurich

Full House, Kunsthalle Mannheim, Mannheim

Supernova, Galeria Jana Koniarka, Trnava

11ème Biennale de l´Image en Mouvement, GenCentre pour l'image contemporaine, Paris

Out of Time: A Contemporary View, MoMA, New York

Busy going Crazy: The Sylvio Perlstein Collection, Art and Photography from Dada to the Present Day, La Maison Rouge, Paris

.all hawaii eNtrées / luNar reggae, Irish Museum of Modern Art, Dublin

Carbonic Anhydride, Galerie Max Hetzler, Berlin

This is America, Centraal Museum, Utrecht

Art and Football at the German Bundestag, Deutschen Bundestag, Berlin

Le Parcours Contemporain, Musée d’Art Moderne de la Ville de Paris, Paris

Stage of Life: Rhetorics of Emotion, Städtische Galerie im Lenbachhaus, Munich

Ordering and Seduction, Haus Konstructiv, Zurich

Urban Studies, Norwegian Short Film Festival, Oslo

Highlights from the KunstFilmBiennale, Köln in Berlin, Kunst-werke, Berlin 

Artist In Focus, International Film Festival of Rotterdam, Rotterdam

Video Ex Festival, Zurich 




En/Of, Museum Kurhaus Kleve, Kleve

Print Projects, Houldsworth Gallery, London

Generation X, Kunstmuseum, Wolfsburg

Los Angeles Drawings, Galerie Aurel Scheibler, Berlin

Goetz Meets Falckenberg, Sammlung Falckenberg, Hamburg

Nach Rokytnik, Museum Moderner Kunst Stiftung Ludwig, Vienna

Minimalism and After IV, DaimlerChrysler Contemporary, Berlin

In Print: British Contemporary Art from the Paragon Press, National Art Gallery, Kuala

Lumpur, Malaysia

Wittgenstein in New York, Kupferstichkabinett Kulturforum Potsdamer Platz, Berlin

Commotion/Scriptless Utopia, 2005 – 2006, Arnolfini, Bristol; Chapter, Cardiff

Kunst Film Biennale, Museum Ludwig Cinema, Cologne

Ambiance - Auf beiden Seiten des Rheins, K21 Düsseldorf, Germany

The Mind is a Horse (Part 2), Gallery Bloomberg, London

Extreme Abstraction, Albright-Knox Art Gallery, Buffalo

Big Bang, Centre Pompidou, Paris

Radiodays, Bandes Originales, De Appel, Amsterdam

U_MOVE Utopia e imagine in movimento, Galleria Comunale d’Arte 

Contemporanea, Monfalcone

Contemporary Voices: Works from the UBS Art Collection, MoMA, New York

Now’s the Time, Kunsthaus Graz, Graz

Present Perfect, Friedrich Petzel Gallery, New York

Supernova, Bunkier Sztuki, Poland; Tallin Kunstihoone, Estonia; ESPOO, Finland; 

CAC, Vilnius

Vanishing Point, Wexner Center for the Arts, Columbus, Ohio

Populism, Contemporary Art Centre, Vilnius; National Museum, Oslo; Frankfurter 

Kunstverein, Frankfurt; Stedelijk Museum, Amsterdam

Graz Biennial of Media and Architecture, Graz

Biennale of the Moving Image, Geneva; Centre Pompidou, Paris

Scriptless Utopia, Arnolfini, Bristol              

May You Live in Interesting Times, Chapter, Cardiff

Frieze Projects: Artist’s Cinema, Frieze Art Fair, London

KunstFilmBienale, Cologne 



The Pattern Playback, The Moore Space, Miami

La Lettre Volée, FRAC, Dijon

Somwhere Collections sans Frontières III, The Fruitmarket Gallery, Edinburgh

Portrat ohne Antlitz, Kunsthalle zu Kiel, Kiel

3’, Schirn Kunsthalle Frankfurt, Frankfurt am Main                                                     

Off the Record – Sound Arc, Arc/Musée d’Art Moderne de la Ville de Paris, Paris

Heisskalt, Staatsgalerie, Stuttgart

Framing Spatial Experiences, San Francisco Cinemateque, San Francisco

Treasure Island, 10 Jahre Sammlung Kunstmuseum, Kunstmuseum Wolfsburg, Wolfsburg

One Channel Only, The Contemporary Art Galleries, University of Connecticut, Storrs

The Films of Sarah Morris, National Film Theatre, London

Canarias Media Fest 2004, Canary Islands



8. Baltic Triennial, Vilniusz

Abstraction Now, Kunstlerhaus, Vienna

Embracing the Present, Phoenix Art Museum, Phoenix

Fast Forward, Sammlung Goetz, ZKM, Center for Art and Media, Karlsruhe

Adorno, The Possibility of the Impossible, Frankfurt Kunstverein, Frankfurt

 Platform for Art, London Underground, London

Novageometria, Galeria FortesVillaca, Sao Paolo

Imagination–Perception in Art, Kunsthaus Graz an Landesmuseum Joanneum, Graz

Nation, Frankfurter Kunstverein, Frankfurt

Heisskalt – Aktuelle Malerei aus der Sammlung Scharpff, Hamburger Kunsthalle, 


Hotel Hotel, Landesgalerie, Linz

Urban Dramas, deSingel, Antwerp

Open Art At Regent’s Place, British Land, London

Up to Now: Treasures from the Collection, Stedelijk Museum, Amsterdam

3-D, Friedrich Petzel Gallery, New York

Sodium Dreams, Bard College, Annandale on Hudson, New YorkBerlin 1994-2003, Galerie Max Hetzler, Berlin

Abstract Painting, Staedtisches Museum Leverkusen Schloss Morsbroich,Leverkusen

Question, Magasin, Centre National d'Art Contemporain, Grenoble and

Galerie Max Hetzler, Berlin

Site Specific, MCA, Chicago

Cool Lustre, Collection Lambert, Avignon

Form-Specific, Moderna Galerija, Ljubljana

Days like These: The Tate Triennial Exhibition of Contemporary British Art, Tate Britain, London

Architecture Schmarchitecture, Kerlin Gallery, Dublin

Painting Pictures: Painting and Media in the Digital Age, Kunstmuseum Wolfsburg, Wolfsburg

Ice Hot – Recent Painting from the Scharpff Collection, Hamburger Kunsthalle

Mediascape, MoMA, Gramercy Theater, New York




That Place, The Moore Space, Miami

Premio Bella Incisione, Bella Print Bienalle, Biella

Culture meets culture, Busan Biennale 2002, Busan

Thinknot, Christopher Farr Gallery, London

Urgent Painting, ARC Musée d’Art Moderne de la Ville de Paris, Paris

Painting on the Move, Kunstmuseum Basel, Museum für Gegenwartskunst Basel

Ruina e Utopia, Centro Cultural Banco do Brasil, Brasilia

Iconografias Metropolitanas, 25th Sao Paulo Biennal Centro Cultural Banco do Brasil, Brasilia Rapture: Art’s Seduction by Fashion since 1970, Barbican Art Gallery, London

Center of Attraction, 8th Baltic Triennale of Contemporary Art, Vilnius, Lithuania

Supernova Art of the Nineties from the Logan Collection, SF MOMA, San Francisco

Le Paysage dans L'Art D'Aujourd'Hui, La Maison de la Culture de Bourges, Bourges

Quivid, Demokratie als Auftraggeber/Kunstwettbewerbe der Landeshauptstadt Munchen, Munich

Public Affairs, Zurich Kunsthaus, Zurich

Projects 77, MoMA, New York

Minimalism and After, Sammlung Daimler Chrysler, Berlin




Beau Monde: Toward a Redeemed Cosmopolitan, Site Santa Fe Fourth Annual Biennial, Santa


Wild Walls, MAK Center, Schindler House, Los Angeles

Hybrids, Tate Liverpool, Liverpool

UK in NY, British-Consul General, New York

Within/Without, Kunstmuseum Bern, Bern

Comfort: Reclaiming Place in a Virtual World, Cleveland Center for Contemporary Art, Cleveland

Casino 2001: Ist Quadrennial of Contemporary Art, Stedelijk Museum Voor  Actuele Kunst and

Bijloke, Gent

Playing Amongst the Ruins, Royal College of Art, London

Shopping, Generali Foundation, Vienna

The Mystery of Painting, Sammlung Goetz, Munich

Beautiful Productions, Whitechapel Art Gallery, London

A Pied D’Oeuvre, Bibliothèque Nationale de France, Paris

Die Sammlung Olbricht Jeil 2, Ohne Zögern, Gesellschaft für Aktuelle Kunst Bremen

Olav Chr. Jenssen, Sarah Morris, Carroll Dunham, Atle Gerhardsen, Berlin




Glee: Painting Now, Aldrich Museum of Contemporary Art, Palm Beach Institute of

Contemporary Art, Palm Beach

Twisted, Van Abbemuseum, Eindhoven

What If: Art on the Verge of Architecture and Design, Moderna Museet, Stockholm

Homes, Art Gallery of Western Australia, Perth

Public Culture, Private Nature, Sommer Contemporary Art, Tel Aviv

The City, Nicole Klagsbrun Gallery, New York

Drawings and Photographs, Matthew Marks Gallery, New York

Projections, FRAC Bourgogne, Dijon

Robert Pearre Gallery, Tucson

Confusion, Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart Berlin

The Song of the Earth, Museum Fridericianum, Kassel

Girlfriend, Galerie für Zeitgenössische Kunst, Leipzig

AM/PM, Neue Nationalgalerie, Museum fur Gegenwart, Berlin

Flakk or that extraordinary sensation of being abroad, even when at home, Nordic House, Reykjavik

Twisted: Urban and Visionary Landscapes in Contemporary Painting, Van Abbemuseum, Eindhoven

Project 004, Friedrich Petzel Gallery, New York




Art Lovers, Liverpool Biennial, Liverpool                  

Malerei, INIT Kunsthalle, Berlin

Between London and New York, Tache & Levy, Brussels

Trans-sphere, FRAC, Poitou-Charentes

Le Capital, Centre Régionale d’Art Contemporain, Sète

Tang, Turner & Runyon, Dallas

Plug In, Salon 3, London

Two Doors:True Value, Mai 36 Galerie/ Annemarie Verna, Zurich

Aufnahmen, Österreichische Galerie Belvedere, Vienna

Concrete Ashtray, Friedrich Petzel Gallery, New York

Frieze, Institute of Contemporary Art, Boston

This is Yesterday, Centro Andaluz de Arte Contemporáneo, Spain

Post-hypnotic, University Galleries of Illinois State University, Illinois, MAC, Dallas, Chicago Cultural Center, Chicago, Atlanta College of Art Galleries, Atlanta

Painting Lab, Entwistle, London




I Love New York: Crossover der aktuellen Kunst, Museum Ludwig, Koln

Dijon/Le consortium, Centres Georges Pompidou, Paris

VideoStore!, Bricks & Kicks, Vienna

Young Americans 2, Saatchi Collection, London

Weather Everything, Galerie für Zeitgenössische Kunst, Leipzig

Deep Thought, Basilico Fine Arts, New York

La Table, Air de Paris, Paris

Dumbpop, Jerwood Gallery, Jerwood Foundation, London

Cluster Bomb, Morrison Judd, London

Mostrato, Fuori Uso 98, Pescara

Narrative Urge, Uppsala Konstmuseum, Uppsala




Hospital (organized by Sarah Morris), Galerie Max Hetzler, Berlin

Dramatically Different, Centre National d’Art Contemporain de Grenoble, Grenoble

Group Show: Miltos Manetas, Florence Manlik, Sarah Morris, Jack Pierson, Gary Simmons, Laurie Simmons, Georgina Starr, Galerie Philippe Rizzo, ParisPosture: A Survey of Contemporary Figuration, David Klein Gallery, Birmingham

Painting, Photography, Drawing, Anton Kern Gallery, New York




Found Footage, Klemens Gasser & Tanya Grunert, Inc., Koln

Pop Planet, Theoretical events, Naples




Group Show (organized by Jeff Koons), Nicole Klagsbrun, New YorkB - Movie (organized by Sarah Morris), San Francisco Art Fair, Phoenix Hotel, San Francisco

More Than Real, Gallery 400, School of Art and Architecture, University of Chicago




Summer Group Show, Nicole Klagsbrun, New York

Please Don't Hurt Me, Galerie Snoie, Rotterdam; Cabinet Gallery, London




Lucky Kunst, Silver Place, London

Home Alone, 211 East 10, New York

Evidently, Dooley Le Capellaine Gallery, New York

I Am The Annunciator, Thread Waxing Space, New York




Behind Bars, Thread Waxing Space, New York




Group Show, P.P.O.W., New York

Group Show, Postmasters Gallery, New York




Series, Postmasters Gallery, New York

Open Studio, Whitney Museum of American Art Independent Study Program, New York


Public film screenings



"RIO" and "Sarah Morris Retrospective", Locarno Film Festival, Locarno

"1972", Everything Falls Apart, Artspace, Sydney

"1972", Nottingham Contemporary, Nottingham

“Points on a Line”, Yebisu International Festival for Art & Alternative Visions, Tokyo Metropolitan Museum of Photography, Tokyo




“Chicago” and “Points on a Line”, Lo schermo dell'arte Film Festival, Florence

“Chicago”, Dirimart Gallery, Istanbul

“Filmographie Sarah Morris”, St. Moritz Art Masters, St. Moritz

“Points on a Line”, Art Basel Unlimited, Basel

“Points on a Line”, Capitain Petzel Gallery, Berlin

“Chicago”, Babylon Cinema, Berlin




“Los Angeles”, Museo Reina Sofia, Madrid

“Beijing” and “1972”, Galerie Meyer Kainer, Vienna

“Beijing”, Witte de With, Rotterdam

“Beijing”, Dutch Culture Center, Shanghai

“Beijing” and “1972”, Museum Berardo, Lisbon

“Robert Towne”, Irish Museum of Modern Art, Dublin

“1972”, Gallery Hyundai, Seoul

“Beijing”, Media City, Seoul

“Beijing”, Barbican Centre, London

“Points on a Line”, Chicago Arts Club, Chicago

“Points on a Line”, Sotheby’s, New York




“Beijing”, KunstFilmBiennale, Cologne

“Beijing”, General Control, Friedrich Petzel, New York

“Beijing”, China 9, Liberty 7, Museo d’Arte Moderna di Bologna

“Beijing”, “Robert Towne”, “1972”, “Capital”, Gemini Dressage, Museum fur Modern Kunst, Frankfurt

“Robert Towne”, KunsFilmBiennale, Centre Pompidou, Paris

“Robert Towne”, KunstFilmBiennale, KunstWerke, Berlin

“Beijing”, SCI-Arc, Los Angeles




“Los Angeles”, Moscow on the Move, the Garage Centre for Contemporary Art.                      

“Los Angeles”, Worlds on Video, La Fondazione Palazzo Strozzi




“AM/PM”, “Midtown”, “Capital”, “Miami”, “Los Angeles”, “Robert Towne”,

New York States of Mind, House of World Cultures, Berlin

“AM/PM”, “Midtown”, “Capital”, “Miami”, “Los Angeles”, 

Urban Portraits, Cinema Arenberg, Argos

“AM/PM”, “Midtown”, “Capital, Miami”, “Los Angeles”, “Robert Towne” Kunstfilm Biennale, Cologne

“Los Angeles”, KunstFIlmBiennale 2005 Touring Program, Istanbul Museum of Modern  Art, Istanbul

“Miami” and “Capital”, Mapping the City, Stedelijk Museum, Berlin

“Los Angeles”, Carte Blanche, Cinematheque Ontario, Toronto

“Capital”, Contrechamp, le Cinématographe, Nantes

Films of Sarah Morris, Guggenheim Museum, New York

“Robert Towne”, Whitechapel Gallery, London



Urban Studies, Norwegian Short Film Festival, Oslo

Highlights from the KunstFilmBiennale, Köln in Berlin, Kunst-werke, Berlin 

Artist In Focus, International Film Festival of Rotterdam, Rotterdam

“Capital” and “Los Angeles”, Video Ex Festival, Zurich 



“Los Angeles”(3’ version), online magazine                                                                         

“Los Angeles”, Graz Biennial of Media and Architecture, Graz

All 5 films of Sarah Morris, Biennale of the Moving Image, Geneva; Centre Pompidou, Paris.

“Los Angeles,” Scriptless Utopia, Arnolfini, Bristol

“Los Angeles,” May You Live in Interesting Times, Chapter, Cardiff

“Capital,” Frieze Projects: Artist’s Cinema, Frieze Art Fair

“Los Angeles,” Kino Svetozor, Prague

“Los Angeles,” Creative Artist’s Agency, Los Angeles

“Los Angeles,” Academy of Motion Picture Arts and Sciences, Los Angeles

“Los Angeles,” KunstFilmBienale, Cologne




“Los Angeles,” Anthology Film Archives, New York

The Films of Sarah Morris, National Film Theatre, London

Canarias Media Fest 2004, Canary Islands

“Los Angeles”, Kino Arsenal, Berlin

“Los Angeles”, Prince Charles Cinema, London

The Ballroom, Marfa

Treasure Island: 10 Jahre Sammlung Kunstmuseum Wolfsburg,   

Kunstmuseum, Wolfsburg

LandesGalerie, Linz




Sodium Dreams, CCS Museum, Bard College, Annandale-on-Hudson, NY

Mediascape, MoMA, Gramercy Theater, New York

Question, Magasin, Centre National d'Art Contemporain, Grenoble

Urban Dramas, deSingel, Antwerp                                                                                              

Form-Specific, Moderna Galerija, Ljubljana

Days like These, Tate Britain, London

Painting Pictures: Painting and Media in the Digital Age,       

Kunstmuseum Wolfsburg, Wolfsburg



Sarah Morris, Miami MOCA

“Capital”, Site Santa Fe

Cinecity: The Films of Sarah Morris, Hirshhorn Museum, Washington, D.C.

Paysage dans L'Art d'Aujourd'Hui, La Maison de la Culture de Bourges, Bourges

Public Affairs, Zurich Kunsthaus, Zurich

Painting on the Move, Kunsthalle Basel, Basel

São Paulo Biennial, São Paulo, Brasil

Kunstnernes Hus, Oslo

Urgent Painting, Musée d”Art Moderne de la Ville de Paris, Paris




Correspondence, Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart, Berlin

Wild Walls, MAK Center, Schindler House, Los Angeles

Casino 2001, Stedelijk Museum Voor Actuele Kunst, Ghent

The Mystery of Painting, Sammlung Goetz, Munich

Hybrids, International Contemporary Painting, Tate Liverpool

Comfort, Reclaiming Place in a Virtual World, Cleveland Center for Contemporary Art, Ohio

Playing Amongst the Ruins, Royal College of Art, London




Sarah Morris, Kunsthalle Zurich  

Sarah Morris, Philadelphia Museum of Art

Sarah Morris, Galerie für Zeitgenossische Kunst, Leipzig

“AM/PM”, Neue Nationalgalerie, Museum fur Gegenwart, Berlin

The Song of the Earth, Museum Fridericianum, Kassel

Projections, FRAC Bourgogne, Dijon

What If: Art on the Verge of Architecture and Design, Modera Museet, Stockholm

Flakk, Flakk or that extraordinary sensation of being abroad, even when at home, curated by Andrea Kroksnes & Per Gunnar Tverbakk, Nordic House, Reykjavik

Homes, Art Gallery of Western Australia, Perth      




Sarah Morris, Museum of Modern Art, Oxford

Le Capital, Contemporary, Art Center, Sete

Aufnahmen, Osterreichische Galerie Belvedere, Vienna



I Love New York: Crossover der Aktuellen Kunst, Museum Ludwig, Koln








Bourriaud, Nicolas, Diana Gay. Sarah Morris: Mechanical Ballet (Editions DEL'ART, Nice 2014)

Avary, Roger, Funcke, Bettina. Sarah Morris: Bye Bye Brazil (White Cube Bermondsey, London 2013)

Bechtler, Cristina, Obrist, Hans Ulrich. An Open System Meets an Open System: Sarah Morris and Hans Ulrich Obrist in Conversation (Springer-Wien, Austria 2013)

Eikmeyer, Robert, Knoefel, Thomas. Sarah Morris: You Cannot Trust a Surface (Moderne Kunst Nürnberg, Verlag Für Moderne Kunst, Düsseldorf 2012)

Diederichsen, Diedrich, Park, Youngran. Sarah Morris: Clips, Knots, and 1972 (Gallery Hyundai, Seoul 2010)

Chinnery, Colin, Anthony Lane, and Andrea Phillips. Sarah Morris: Beijing (Museo d’Arte Moderna di Boogna, Museum fur Moderne Kunst Frankfurt, Witte de With, Rotterdam, Walther Konig, Cologne 2009)

Burton, Johanna, Diederichsen, Diedrich, de Looz, Pierre-Alexandre. Sarah Morris: Lesser Panda (White Cube Gallery, London 2008)

Rabinowitz, Cay Sophie. Sarah Morris Los Angeles (Aurel Scheibler Gallery, Berlin 2005)

Coupland, Douglas and Martin Herbert. Sarah Morris Bar Nothing (Jay Jopling/White Cube, London 2004)

Jones, Ronald. Sarah Morris Capital (Oktagon, Cologne 2001)

Bürgi, Bernhard, Diedrich Diederichsen and David Daniel. Sarah Morris (Kunsthalle Zürich, Zurich 2000)
Bracewell, Michael, Jan Winkelmann, Michael Tarantino and Rob Bowman. Sarah Morris Modern Worlds (Modern Art Oxford, Oxford 1999)

Bourriaud, Nicholas. Sugar (Galerie Philippe Rizzo, Paris 1996)




László, Vass. Konstruktív Konkrét: Nemzetközi Muvészet A Vas-Gyujteményben. (Art V. Premier, Budapest 2014)

Verchere, Laure. Le Pliage by Longchamp Paris. (Assouline: New York, 2014)

Williams, Gilda. How to Write About Contemporary Art. (Thames & Hudson: London, 2014)

Kittelmann, Udo and Gabriele Knapstein. Wall Works: Working with the wall since the 1960s. (Nationalgalerie Staatliche Museen zu Berlin and Kerber Verlag: Bielefeld, 2014)

Gaitán, Juan A. and Nicolaus Schafhausen. Morality in Fragments. (Witte de With Center for Contemporary Art: Rotterdam, 2014)

Akay, Ali. There Is A Madness In My Mind. (Gulin - Emre Dokmeci Koleksiyonu: Istanbul, 2014)

Conklin, Jo-Ann. Brown University 250th Anniversary Alumni Exhibitions.. (Brown University: Providence, 2014)

Berggruen, John. Above and Below The Surface: Eight Artists. (John Berggruen Gallery: San Francisco, 2014)

Gander, Ryan. Artist Cocktails. (Dent-de-Leone: London, 2013)

Schlieker, Andrea. Commissions & Public Projects. (White Cube: London, 2013)

Bechtler, C., Obrist, H.U. & Ruf, B.(eds.) Engadin Art Talks. (JRP Ringier Kunstverlag AG: Zurich, 2013)

Lenbachhaus.Art After 1945. (Lenbachhaus: Munich, 2013)

Linien, Weiner.Vienna Art Passage. (Verlag Fur Moderne Kunst Nurnberg: Nurnberg, 2013)

Friedel, Helmut and Matthias Mühling. Beside the River Isar: Contemporary Art in the New Lenbachhaus. (Lenbachhaus: Munich, 2013)

Friesel, Helmut and Matthias Muhling. The Lenbachhaus Book. (Lenbachhaus and Schirmer/Mosel: Munich, 2013)

Hallet, J., Hack, J. & Barron, F. (eds.) Kate Moss. (Rizzoli: New York, 2012)

Bruderlin, Markus. Frank Stella: The Retrospective Works 1958-2012. (Kunstmuseum Wolfsburg and Hatje Cantz: Wolfsburg, 2012)

French, Blair. Column 10. (Artspace: Sydney, 2012)

Ahrenberg, S., Keller, S. & Obrist, H.U. (eds.) Cahiers D'Art: 36th Year, No. 1 2012. (Editions Cahiers D'Art Sarl: Paris, 2012)

King, Emily. M to M of M/M (Paris). (Thames & Hudson: London, 2012)

Dreishpoon, D., Grachos, L. & Pesanti, H. (eds.) Decade: Contemporary Collecting 2002-2012. (Albright-Knox Gallery: Buffalo, 2012)

Groos, Ulrike, Schimpf, Simone. Rasterfahndun: Das Raster in der Kunst nach 1945, Kunstmuseum Stuttgart. (Wienand:  Cologne, 2012)

Davis, Jeff. Foundations of Design. (Wadsworth: Boston, 2012)

Birnbaum, Daniel, Connie Butler, Suzanne Cotter, Bice Curiger, Okwui Enwezor, Massimiliano Gioni, Bob Nickas, Hans Ulrich Obrist. Defining Contemporary Art – 25 years in 200 pivotal artworks (Phaidon, London, 2011)

Von Olfers, Sophie. Not in Fashion: Photography and Fashion in the 90s. (Museum fur Moderne Kunst, Frankfurt AM Main, 2010)

May, Susan. Between Thought and Action (White Cube, London 2010)

Arsene-Henry, Charles and Shumon Basar and Karen Marta (eds.). Hans Ulrich Obrist Interviews Volume 2. (Edizicio Charta, Milan 2010)

Muir, Gregor. Lucky Kunst the rise and fall of Young British Art. (Aurum Press, London 2009)

Fundacion Federico Garcia Lorca. Everstill- Siempretodavia. (Fundacion Feerico Garcia Lorca, Granada 2010)

Essl Museum, Kunst der Gegnwart. Aspects of Collecting (Edition Sammlung Essl, Wien 2009)

RxArt. Between the Lines (RxArt, New York 2009)

Hetzler, Max. Jeff Koons (Holzwarth Publications, Berlin 2009)

Schellmann, Jorg ed. Forty are Better Than One (Schellmann Art Production, Munich/New York, 2009)

Sammlung Hoffmann. With the Bicycle to the Milky Way (Verlag der Buchhandlung Walther Konig, Dresden 2009)

Andelkovic, Branislava and Marko Lulic and Thomas Trummer (eds). Zidovi Na Ulici (Siemens Arts Program/Muzej Savremene Umetnosti, Beograd, 2009)

M/M (Paris)-Inventory/Inventaire 2, 2008, p.  212, p. 214

Independent Study Program: 40 Years, Whitney Museum of American Art, 1968-2008.

Holzwarth, Hans Werner, ed. Art Now, Vol. 3, Taschen.

Draganovic, Julia. The Enterprise of Art (PAN/Palazzo delle Arti Napoli, Naples 2008)

Inboden, Gudrun. Always There (Galerie Max Hetzler, Berlin 2008)

Thorp, David. Abstraction: Extracting From the World (Sheffield Galleries, Sheffield 2007)

Morris, Sarah. On Peter Saville (Peter Saville Estate 1 – 127 Migros Museum für Gegenwartskunst, Zurich 2007)

Meta Knol and Pauline Terreehorst, This is America (Centraal Museum Utrecht, Amsterdam, 2006)

Pareno, Philippe (ed.). .all hawaii eNtrées / luNar reGGae (Irish Museum of Modern Art/Charta, Dublin 2006)

Lullin, Etienne and Florian-Oliver Simm (eds.). Contemporary Art in Print (Paragon Press, London 2006)

Muehling, Matthias. Stage of Life – Rhetorics of Emotion (Städtische Galerie im Lenbachhaus, Munich 2006)

Urbaschek, Stephan (ed.). Fast Forward, Media Art (Hatje Cantz, Cologne 2006)

Von Hardenberg, Irene. Künstlerinnen. Atelierbesuche in Berlin, Moskau, New York (Gerstenberg, Berlin 2005)

Heynen, Julian and Kasper König. Des Deux Côtes du Rhin-Mouvement/Ambiance (Snoeck, Cologne 2005)

Grosenick, Uta. Art Now (Taschen, Cologne 2005)

Richer, Francesca and Matthew Rosenzweig (eds.). First Works by 362 Artists (Thames & Hudson, London 2005)

Grachos, Louis. Extreme Abstraction. (Albright Knox Gallery, Buffalo, New York 2005)

Isé, Claudine. Vanishing Points (Ohio State University, Ohio 2005)

Bang Larsen, Lars and Cristina Ricupero. The Populism Catalogue (Lukas & Sternberg, Berlin/New York 2005)

Douglas, Caroline and Bunkier Sztuki (eds.). Supernova (The British Council, London 2005)

Temkin, Ann. Contemporary Voices: Works from the UBS Art Collection (MoMA, New York 2005)

Badovinac, Zdenka. Form Specific (MoMA Ljubljana, Ljubljana 2003)

Van Tuyl, Gijs and Annelie Lutgens (eds.). Painting Pictures: Painting and Media in the Digital Age (Kerber Verlag, Bielefeld 2003)

Nesbitt, Judith and Jonathan Watkins. Days Like These, Tate Triennial Exhibition of Contemporary British Art 2003 (Tate Publishing, London 2003)

Spindler, Gabriele. Hotel Hotel (Landesgalerie Linz, Linz 2003)

Groetz, Thomas (ed.). Berlin 1994-2003 (Galerie Max Hetzler, Berlin 2003)

Hirsch, Michael, Vanessa Joan Müller and Nicolaus Schafhausen (eds.). Adorno: The Possibility of the Impossible (Lukas & Sternberg, Berlin/New York 2003)
Hinsch, Michaela. Icehot: Recent Paintings from the Scharpff Collection (Hatje Cantz, Cologne 2003)
Graw, Isabelle. Frauen am Machtpol: Macht Verwickelt (Dumont, Cologne 2003)

De Cruz, Gemma and Amanda Eliasch. British Artists at Work (Assouline, New York 2003)

nation (Lukas & Sternberg, New York 2003) [texts by Allen, Jennifer, Katia Baudin, Liam Gillick, Nina Möntmann, Matthias Mühling, Willem de Rooij, Jörn Schafaff and Edgar Schmitz]

Wiehager, Renate. Andy Warhol: Cars (Hatje Cantz, Cologne 2003)
Townsend, Chris. Not to Cut a Pattern (Thames & Hudson, London 2003)
Breuvart, Valerie and Barry Schwabsky. Vitamin P. New Perspectives in Painting (Phaidon Press, London 2003)

Hickey, Dave. Beau Monde: Towards a Redeemed Cosmopolitanism (Site Santa Fe, Santa Fe 2002)

Burgi, Berhard and Peter Pakesch. Painting on the Move (Kunsthalle Basel, Basel 2002)

Archer, Michael. Globalization and the Post-Medium Condition, Art Since 1960 (Thames & Hudson, London 2002)

Gillick, Liam. White Cube 44 Duke St (Steidl, Göttingen 2002)
Sans, Jerome and Mark Sanchez. What is the Artist's Role Today? (Palais de Tokyo, Paris 2001)

Playing Amongst the Ruins (Royal College of Art, London 2001)

Sandler, Irving. Art Transplant, British Artists in New York (British Consul, London 2001)

Graw, Isabelle. The Mystery of Painting (Sammlung Goetz, Munich 2001)

Grosenick, Uta. Women Artists in the 20th and 21st Century (Taschen, Cologne 2001)
Pellegrin, Maurizio (ed.) Innerscapes, An Anthology of Artist's Writings (Trieste Contemporanea, Trieste 1998)

Douroux, Xavier, Franck Gautherot, Eric Troncy.  Compilation: Une Experience de L’Exposition. (Le Consortium, Dijon 1998)

Werner, Klaus. Weather Everything (Galerie für Zeitgenossische Kunst Leipzig, Leipzig 1999)

Grunenberg, Christophe. Frieze (ICA, Boston 1999)

Adams, Brook and Lisa Liebmann (eds.). Young Americans 2 (Saatchi Gallery, London 1998)

I Love New York: Crossover der Aktuellen Kunst (Museum Ludwig, Cologne 1998)

Aupetitallot, Yves, Eric Troncy and Alessandra Galasso (eds.). Dramatically Different (Centre National d’Art Contemporain de Grenoble, Grenoble 1997)

Morris, Sarah. Hospital (Galerie Max Hetzler, Berlin 1997)








Simmons, Tabitha. "Steal of the Month." Vogue November 2014:232-3.

Bousteau, Fabrice. "L'art de plier le monde selon Sarah Morris." Air France Magazine November 2014:80-2.

Jensen, Lars. "Porträt." German Vogue November 2014:92.

Pinet, Sophie. "La Peintre & L'Architecte." Architectural Digest France October - November 2014: 184-9.

Pleeck, Catherine. "Rétro Session: Le succès des accessoires iconiques." Le Vif October 19, 2014:39.

Barbery-Coulon, Lili. "3 Questions à Sarah Morris." M du Monde 18 October 2014: 112.

N'Diaye, Marie-Sophie. "Longchamp: Le Juste Pli." Madame Figaro 17-18 October 2014: 33.

Lattes, Domino. "Hit Bag." French Elle 17 October 2014: 141-2.

"Fiac 2014: mobilisation générale." Les Journal des Arts 17-30 October 2014:21.

Brouns, Jesse. "Sarah Morris: Fluo, Geometrie En Mode." Weekend Knack October 15, 2014:18.

O'Mahony, Olivier. "Sarah Morris: L'Art Du Pliage." Paris Match 9-15 October 2014: 104-5.

Regensdorf, Laura. "Artistic License." Vogue October 2014:252.

"Buchcover." Monopol October 2014:9 & 53.

"Purple Fashion Women." Purple Fashion Fall/Winter 2014-15:286.

"Play Dough." Garage Magazine Fall/Winter 2014:236-244.

Camhi, Leslie. "Setting Sail." Vogue September 2014:776-783.

Ciuraru, Carmela. "Modern Love." Luxe Summer 2014:308-322.

Tarantin, Lianna and Sydney Wasserman. "Shelf Involved." DuJour Summer 2014: 89.

Morris, Sarah and Victor Demarchelier. "Sarah Morris." Numero 154 June-July 2014: 120-133.

Coomer, Martin. "Mad for Matisse." TimeOut London April 2014: 78-9.

Jones, Jonathan. "Urban art through the ages -- in pictures." The Guardian 24 March 2014.

Hutter, Michael. "Balanced Investments: On Speculation in the Art Market." Texte Zur Kunst 93 März 2014: 80-95.

Claxton, Eve. "The Interview: Sarah Morris." Net-A-Porter 6 February 2014: 24.



(Cover) Texte Zur Kunst 92 December 2013.

Ellwood, Mark. "Graphic Content from Artist Sarah Morris." Wall Street Journal Magazine 4 December 2013: 73.

Stamets, Bill. "A spy's view of Chicago." Chicago Sun Times 27 November 2013.

Frank, Priscilla. "Sarah Morris Translates Brazil's Paradoxes Into Paint." Huffington Post 26 November 2013.

Lee, Matt. "Inside Out." Men's Book Chicago Winter 2013: 44-5.

Connors, Thomas. "Beyond Big Shoulders." Michigan Avenue Magazine November 2013: 76-8.

Schlüter, Ralf. "Auf die vorderen Plätze bitte!." Art Das Kunstmagazin November 2013: 66.

Mertens, A. von. "US-Künstlerin erobert Bremer Kunsthalle." Bremen und umzu 25 October 2013.

Wilke, Deborah. "In The Studio: Sarah Morris." Art + Auction October 2013: 106-112.

"The Interview: Sarah Morris." HungerTV 6 September 2013.

Rappolt, Mark. "Sarah Morris." Art Review Brazil Fall 2013: 124-126.

Ribeiro, Rosane. "Para Gringo Ver." Vogue Brasil September 2013: 198-199.

Brown, Alix. "Thinking Inside the Box." W Magazine September 2013: 292.

Sherwin, Skye. "Another Thing I Wanted To Tell You… Sarah Morris, artist -- on driving." AnOther Magazine September 2013: 116.

Barnes, Freire. "Sarah Morris: Bye Bye Brazil." TimeOut London 1 August 2013: 292.

"Open Files: Sarah Morris Until 29 Sep." Elephant Issue 15 Summer 2013: 8-9.

Oswald, Vivian. "Um Rio Traduzido Em Arte." O Globo 20 July 2013: 292.

"Sarah Morris: My work is related to power." Phaidon News 18 July 2013: 292.

"Artists for Schiesser Revival." Vogue Deutsch. July 2013: 74-79.

de Looz, Pierre Alexander. "Brasil Especial." Pin-Up 14 Spring Summer 2013: 154-162.

Schug, Sarah and Phillipa Snow. "Studio Views." The World Magazine March 2013: 158-9.



Barber, Brian. "The Space Between." Tulsa World 12 December 2012.

de Looz, Pierre. "Sleeping With Paul Rudolph." Pin-Up 13 Fall Winter 2012/13: 186-192.

"Total Lunar Ecipse [RIO]." (cover design). Annual Magazine #5 October 2012.

Greenberg, Kevin. "Berline China." Pin-Up 12 Spring Summer 2012: 162.

Ward, Ossian. "Sarah Morris: Big Ben [2012]". Time Out London 25 July 2012

Milliard, Coline. "Sarah Morris On Taking Big Ben Underground at London's Gloucester Road Tube Station". Artinfo 12 June 2012.

“Bauten erschaut und besprochen.” Observer 15 May 2012.

Jothady, Manisha. “Die Stadt als Verschwörung.” Wiener Zeitung 24 April 2012.

B-B, Alice. “Grand Gestures.” Elle Décor April 2012.

“Film.” Architect Magazine February 2012: 65.

Berg, R. “Malerei Funktioniert Immer Als Propaganda”. Kunstforum International January – February 2012.

Tennant, Carolyn. “Occupying the Collection.” Afterimage Vol. 39 No. 4 January-February 2012: 21-3.



Harvard Business Review, November 2011.

Di Genova, Arianna. “Dalle Alpi a Sarajevo”. Alias 22 October 2011:4.

Laera, Margherita. “Sarah Corre Veloce”. Velvet October 2011: 310-315.

Yildirim, Ercan Ali. “Abd'li Sanatci Sarah Morris: Dirimart Nişantaşi'nda”. Alem 21 September 2011: 86-7.

Sekmen, Evrim. “Kent Bürokrasisine Rengârenk Bir Bakis”. Günlük 19 September 2011.

Utkan, Hatice. “Looking for a hidden code with a space”, Hürriyet Daily News 18 September 2011.

Byrt, Anthony. “Sarah Morris – Capitain Petzel”, Artforum September 2011: 358-359.

Cypriano, Fabio. “Artista filma São Paulo e Rio a partir de contradições”. Folha 2 July 2011.

Gutzmer, Alexander. “Die Glasleserin”. Baumeister July 2011.

Von Tilmann, Christina. "The Seductive Nature of a Vision". Bauhaus Magazine 6 June 2011.

"Sarah Morris: Texte Zur Kunst - Edition Heft NR. 82". Texte Zur Kunst 82 June 2011: 266-267.

Silalahi, Pablo. “14 Zeichen der Freiheit”. Bild am Sonntag 11 May 2011.

"Spring Art in Berlin". Al Jazeera 5 May 2011.

Von Tilmann, Christina. “Warten auf den Fensterputzer”. Tagesspiegel 29 April 2011.

Belcove, Julie. “Urban Explorer.” Architectural Digest April 2011: 46-8.

Velasco, Suzana. “Um Rio Visceral.” O Globo 12 March 2011.

Taylor, Sarah. “Built to Last”.” W Magazine Feburary 2011.

“Envisioning Buildings.” MAK/ZINE #1 2011.



Sherwin, Skye. “Artist Sarah Morris’s latest film Beijing.” Wallpaper 8 November 2010.

Moshayedi, Aram. “Looking Glass.” ArtForum 4 October 2010.

Ballentine, Sandra. “A Tale of Two Houses.” The New York Times Style Magazine Fall 2010: 34.

Butler, Sharon. “Artist Industrial Complex.” Brown Alumni Magazine July/August 2010: 42-3.

Karich, Swantje. “Neuer Düsseldorfer Rhythmus.” Feuilleton 10 July 2010: 31.

Muller, Bertram. “Sarah Morris – Hornisse.” Rheinische Post 10 July 2010.

Somers, Thierry. “Sarah Morris, Psychology of the Future.” 200% Number 4 2010: 131-150.

 Kohen, Helena. “It Takes a Village: Key Biscayne’s Public Art”. Home Miami March 2010: 44-5.

“Gelitin, Blind Sculpture.” Time Out New York February 18-24.



“Portrait of Artist No. 3 Sarah Morris.” Art Review December 2009: 79.

Schjeldahl, Peter. “Galleries—Chelsea: Sarah Morris.” The New Yorker 16 Nov 2009: 10.

Teatini, Manuela. “Sarah Morris.” Italian Vogue November 2009: 34.

Rappolt, Mark. “Power100”. ArtReview Nov 2009: 122+

Saltz, Jerry. “Gender Benders: Visionary twists from a magnificent seven.” New York Magazine. Oct 2009: 58-61.

Morris, Sarah. “A Few Observations on Taste or Advertisements for Myself.” Texte Zur Kunst.  Sept 2009: 71 – 74.

Molinari, Guido. “Sarah Morris / Seth Price.” Flash Art September 2009: 94.

Knowles, Patrick. “Structures of Control.” SOMA Magazine August 2009: 46-9.

Rossi, Guido. “Sarah Morris.” 29 July 2009.

Pavone, Cecilia. “Morris-Price.” 15 July 2009.

Gualdoni, Flaminio. “Olimpiadi: le cinepresa per raccontare Pechino.” Corriere della sera. 5 July 2009.

Diez, Renato. “Cerchi e origami da connoisseur. Per le carte di Sarah Morris.” Arte July 2009

Ferrario, Rachele. “Se la Olimpiada diventano arte.” Corriere di Bologna  4 June 2009.

Metz, Erhard. “Sarah Morris: “Gemini Dressage””.  Feuilleton Frankfurt 3 June 2009.

Huther, Christian. “Spiel mit Origami und Olympia.” Mannheimer Morgan  3 June, 2009.

Kothenschulte, Daniel. “Preview: Sarah Morris.” Monopol June 2009: 110-3.

Jurgs, Alexandra. “Gewaltige Bilder.” Prinz. June 2009: 98.

Kreis, Elfi. “Bologna/Frankfurt: Sarah Morris.” Kunstzeitung June 2009.

Huther, Christian. “Im Irrgarten von Pop und Abstraktion.” Grafschafter Nachrichten 30 May 2009.

Voss, Julia. “In einem potemkindschen Dorf.” Frankfurter Allgemeine Zetung 29 May 2009.

“Museum fur Moderne Kunst zeigt Pop-Art-Kunstlerin.Giebener Allgemeine 29 May 2009.

“Zum Abheben! Sarahs schone Bilder.” Bild Frankfurt 29 May 2009.

Danicke, Sandra. “Es konnte endlos so witergehen.” FrankfurterRundschau 28 May 2009.

Huther, Christian. “Puzzlespiel der Wirklichkeit.” Frankfurter Neue Presse 28 May 2009.

“Frankfurt ehrt Sarah Morris.” Welt Kompakt 28 May 2009.

Affronte, Chiara. “Sarah Morris e Seth Price.” L'Unità 26 May 2009.

Cesare Sughi. “Fra spazio e tempo la arte cambia linguaggio.” Il resto del carlino 26 May 2009.

Carrozzini, Barabar. “Doppio gioco.”  Corriere di Bologna 26 May 2009.

Tancredi, Valeria. “Anteprime de artista.” Il Bologna 26 May 2009.

Naldi, Paola. “Sarah Morris e Seth Price.” La Repubblica 26 May 2009.

Deschka-Hoeck, Katharina. “Die hellen Farben von Peking.” Frankfurter Allgemeine Zetung 25 May 2009.

Laera, Margherita. “Documentare il futuro: Pechino, le Olimpiadi e la fantascienza.Italian Wired Online 20 May 2009.

Naldi, Paola. “Giochi e pittura ma di getto.” Il giornale dell'arte  May 2009.

Archer, Michael. “Sarah Morris.” Artforum May 2009: 170.

Rappolt, Mark. “Sarah Morris.” Art Review May 2009: 70-7.

Obrist, Hans Ulrich. “Sarah Morris.” Adam & Eve.March/April/May 2009: 78- 91


Vanderbilt, Tom. “Empty Nest.” ArtForum. December 2008: 242-253.

Rabinowitz, Cay Sophie. “Sarah Morris: An interview.” Art in America Dec 2008: 146-149.

“The Well Curated Home.” The New York Times Style Magazine Winter 2008: 32.

Browne, Alix. “Breaking the Mold.” The New York Times Style Magazine Winter 2008: 84.

“La Invencion de la Cotidiano.”  La Tempestad Vol. 10, No. 63, Nov/Dec 2008.

Herbert, Martin. “White Cube, London, UK.” Frieze Magazine Issue 119, Nov/Dec 2008: 208.

“5th Annual Prints Review: 1972 Film Poster.” Art on Paper Nov/Dec2008, Vo. 13, No. 2: 68.

“Focus Painting.” Flash Art November-December 2008: 50-1.

Liebs, Holger. “Abschied und Aufbruch.” Der Süddeutschen Zeitun. 11 Nov 2008, No. 262, V2: 32

Archer, Michael. “Sarah Morris, White Cube.” ArtForum November 2008: 362.

Manager Magazine. “Der Rest der Ruhmreichen.” November 2008: 202

Sansom, Anna. “Olympic Hopeful.” Tokion Magazine Fall 2008: 138.

“Sarah Morris.” Sleek Magazine Fall 2008.

“Regeneration Games.” Time Out London Aug 14 – 20, 2008: 55.

Banks, Eric. “Seeing Red.” Men’s Vogue August 2008: 114 – 119.

Koolhaas, R., Obrist, H. U. & Bechtler, C. “Sarah Morris: Rings, Origami, Beijing.” Arena Homme+ Summer/Autumn 2008: 258-68.

Turner, Christopher. “Beijing City Symphony.” Modern Painters July/Aug 2008: 56-59.

Schonberger, Thomas. “Kein Plan.” Spex Magazin July/August 2008: 124-6.

Searle, Adrian. “China’s Olympics Light Creative Flame.” July 21, 2008,

“Sarah Morris.” Sleek Magazine Summer 2008: 54.

“Kunst: Keine Vision.” Vanity Fair Summer 2008.

Sonna, Birgit. “Gescheiterter Frühling.” NZZ 16 July 2008

“Myself Persönlich.” MySelt July 208: 206.

Pancotto, di Pier Paolo. “contro il Denaro.” Video & Performance  22 June 2008.

“Die Heiteren Spiele.” Frankfurter Rundschau 14 June 2008.

Chaplin, Julian. “Pre-Partying with the Jet Set of the Art World.” The New York Times 8 June, 2008: ST1., Basel, 5 June 2008, 7 pm – 8 pm

Glogger, Helmut-Maria. “Peking is Ein Braun-beiger Nebel.” Sonntagsblick Magazin 1 June 2008: 54-5.

Giornale, Civita. “Capitale” Economico e Sociale.” Arte 1 June 2008.

“Sarah Morris.” Applaus June 2008.

“The Same Urgency in 2008.” Domus Magazine June 2008: 20-4.

“Sonderbeilage Art 39 Basel.” Neue Burcher Zeitung 31 May 2008: SB1.

“Wo Amerika ins Kaleidoskop der Maler Gerät.” Frankfurter Allgemeine Zeitung 30 May 2008: 39.

Cervasio, Stella. “L’arte al tempo deino-global.” Napoli 17 May 2008.

De Stefano, Stefano. “Aglio e miele, e arte al Pan.” Corriere Del Mezzogiorno 17 may 2008.

Ciuceis, Paola D. “Arte e Sistema Economico, una Collettiva al Pan.” Il Mattino 16 May 2008.

“L’impresa dell’arte.” 16 May 2008.

Härpfer, Susanne. “Von verschwundene Akten und wiedergekehrten Erinnerungen.” Telepolis 11 May 2008.

“Die Psychologies der Kunst.” Straubinger Tagblatt  1 May 2008.

Poschardt, Von Ulf. “Dekoration als Vorspel der Politischen Kunst.” Welt am Sonntag 27 April 2008.

Poschardt, Ulf. “Dekoration als Vorspiel der politischen Kunst.” 27 April 2008

Liebs, Holger. “Lage 26 warnight gefragt.” Suddeutsche Zeitung 26/27 April 2008: 18

Kluy, Alexander. “Der Psychologe und die Terroristen, Abendzeitung.” 26 April 2008,

“Der Psychloge und die Terroristen.” Die Welt  26 April 2008.

“Lage 26 war nicht Gefrat.” Deutsche Zeitung 26 April 2008 .

“Der Mann, der das attentat Voraussagte.” Münchner Merkur  26 April 2008.

“Das Szenario des Scheiterns.” Abendzeitung 25 April 2008.

Sachs, Brita. “Mir fefallt, dass Dr. No das Sagen hat.” Frankfurter Allegemeine Zeitung

De Righi, Roberta. Hub, Ralph, “Das Szenario des Scheiterns.” Abendzeitung 25 April 2008: 12

“Die Spiele der Macht und der Bilder.” Süddeutsche Zeitung 24 April 2008.

Bodin, Claudia. “Adrenalin der Großstadt.” ART Magazin April 2008: 56 – 65.

Kunst Keine Viion April 2008: 94.

“Deutsche Welle.” Art 21 April 2008.

“Adrenalin der Grossstadt.” Art Magazine  April 2008.

Sennert, Kate. “The Artist: Sarah Morris.” Uniqlo: Paper Spring 2008: No. 4, Issue 4.

Fuchs, Dale. “Chasing a Shadowy Imp, Garcia Lorcas Muse.“ New York Times 1 Jan 2008: sE6.

“In der Struktur des Modernen Lebens, Artinside.” Das Museumsmagazin der Basler Zeitung in Zusammernarbeit mit Fondation Beyeler 2008: 20

Buhr, Elke. Film: Die Heiteren Spiele,

Warning,Wilhelm. “Zeitgeschichte aus filmkunstlerischer Perspektive.”




de Looz, Pierre-Alexandre. “China 2008.” 032c Winter 2007/08: 96-111.

“OnView: Sarah Morris - Robert Towne.” Public Art Fund Winter 2007.

Hinrichsen, Jens. “Tarantel ode Grashupfer.” Tagesspiegel 24 November 2007.

“Sarah Morris.” Monopol November 2007: 121.

Saltz, Jerry. “Back From the Brink.” New York Magazine 17 Sept 2007: 73.

Esplund, Lance. “Lopsided Shapes.” The New York Sun 26 July 2007,

Suqi, Rima. “As You Leave Please Close the Art Behind You.” New York Times, 5 July 2007, p.D3.

“Sarah Morris.”, 3 July 2007.

“Sarah Morris.” The New Yorker March 19, 2007: 42.

Sharp, Chris. "Gillick, Liam: Los Angeles.” The Wire March 2007: 62.

Carolin, Claire. “All Hawaii Entrees/Lunar Reggae.” The Brooklyn Rail March 2007: 55.

Quaegebeur, Els. “De Stadt Ontroert Altijd.”  PS van de Week 17 Feb 2007: 24-5.

Slyce, John. “all Hawaii eNtrees/LuNar ReGGae.”  ART Monthly Feb 2007: 26-7.

De Corral, Maria. Lane, John R, ed., “Fast Forward.” Dallas Museum of Art 2007: 274.

Thorp, David. “Abstraction: Extracting From the World.” Sheffield Galleries, Millennium Galleries 2007: 8-9.

 “Stedelijk Museum CS.” Efflux February 2007.




“Electric Company.” Art and Auction. December 2006: 133.

“Sarah Morris: Robert Towne.” December 2006.

Morris, Sarah. “Cynicism Beyond Critique.” Artpress. Nov/Dec/Jan 2006/7: 40-5.

Scott, Andrea. “Painting the Towne.” Time Out New York 30 Nov 2006.

“About: Sarah Morris Robert Towne.” Art X World 7 November 2006.

“Zehn Jahre.” Hamburger Banhof. Museum für Gegenwart Nov 2006: 106.

Jones, Kristin M. “Sarah Morris.” Frieze Nov 2006: 163.

Bleu, Arthur. “A New Contemporary Space in the Center of Kyiv.” Ukrainian Observer Nov 2006.

“Sarah Morris.” The New Yorker 30 Oct 2006.

Chen, Aric. “Look Up, Look Down, Art’s All Around.” The New York Times 19 Oct 2006.

“Workshop series brings art to Key community.” The Miami Herald 8 Oct 2006.

“Ukranian magnate opens Kiev’s first international contemporary art centre.” The Art Newspaper 6 Oct 2006.

Pschak, Evelyn. “Osrams Ahnuni.” 6 Oct 2006.

Verhagen, Marcus. “Nomadism.” Art Monthly Oct 2006.

Zeiger, Mimi. “Towne and City.” Architecture Oct 2006.

Wittneven, Katrin. “Im Stadtmuseum.” 30 Sept 2006.

“Sarah Morris: Robert Towne at the Lever House.” 28 Sept 2006.

“Sarah Morris Lever House, Public Art Fund.” 22 Sept 2006.

Cohen, David. “New Art on the Walls—and the Floor and Ceiling Too.” The New York Sun 20 Sept 2006.

Schlesinger, Toni. “Wonderful Towne! Lever House Hosts Homage to Screenwriter.” The New York Observer 18 Sept 2006: 12.

Adams, Mark. “Welcome Back.” New York Magazine 18 Sept 2006: 16.

“Iloczyn zbiorow Kurier.” Plus 16 Sept 2006.

Smith, Roberta. “Power, Injustice, Death, Loss: At Sea in the Here and Now.” The New York Times 1 Sept 2006: E21-5.

Widmann, Tanja. “To Offer You Something.” Texte Zur Kunst Sept 2006: 248-51.

Halle, Howard. “Intervention.” Interior Design Sept 2006.

Rosen, Jamie. “Tale of Two Cities.” W Magazine September 2006: 404.

Sposato, Bree. “Sarah Morris.” New York Magazine Sept 2006.

“Sarah Morris.” Sept 2006.

“Sarah Morris.” Centre Pompidou Cinema Sept/Nov 2006.

Esplund, Lance. “Bad Timing.” The New York Sun 31 Aug 2006.

“Life, ripe and robust: Exhibits sift and savor it.” Miami Herald 30 July 2006.

Vogel, Carol. “A Screenwriter on a Ceiling.” The New York Times 28 July 2006: B28.

Schutz, Heinz. “Buhne des Lebens Rhetorik des Gefuhls Kunstforum International July-Sept 2006: 358-9.

Rothman, Sabine. “Worth the Wait.” House & Garden June 2006: 64.

“Anish Kapoor and Sarah Morris Public Art Fund Commissions in New York.” Britain USA 31 May 2006.

Goetz, Joachim. “Kunst als Versuchsanordnung.” Straubinger Tagblatt 30 May 2006.

“Sarah Morris: Artists Project.” Esquire Russia May 2006: 128.

“Sarah Morris.” V & A Magazine Spring 2006:  51.

“Sarah Morris: Im Studio ist es moistens still.” Monopol Magazine No. 2, April/May 2006: 34-5.

Chaplin, Julia. “Art Blooms in the California Desert,” 21 April 2006

Gockel, Cornelia. “Showdown im Aufzug.” Frankfurter Rundschau 20 Apr 2006.

Kunstattacken.” In Munchen 11 Apr 2006.

Jones, Jonathan. “Kate Moss and the death of British Art.” The Guardian 14 Apr 2006: 6-9.

Oliv, Freia, “Vermarktung der Gefuhle.” Munchner Merkur 7 Apr 2006.

Weidemann, Christoph. Suddeutsche Zeitung 6 Apr 2006.

Sachs, Brita. “Ich bin eine Bubenband.” Frankfurter Allgemeine 6 March 2006.

Leffingwell, Edward. “Sarah Morris at Friedrich Petzel.” Art in America March 2006: 152.

Leij, Machteld. “Rimpelloze doeken en een bedachtzame film.” NRC Handelsblad 7 Feb 2006: 10.

Kuizinas, Saulius. “Spuernova:Tolimas Artimas Aidas.” Ulturos Barai Feb 2006: 63.

“Sarah Morris, Stadsportretten.” Museum Tijdschrift Vitrine Feb 2006: 29-32.

Wollrabe, Frans. “Rechtlijnig multimediaal.” Safe Jan/Feb 2006: 58.

Schenke, Menno. “Niets nieuws onder de zon.” Rotterdam Dagblad 28 Jan 2006: 15.

“Sarah Morris: Artist in Focus, IFFR.”, 27 Jan 2006.

Kujpers, Louise. “Amerikaanse ‘Artist in Focus’.” Metro 26 Jan 2006: 20.

Piscaer, Lot. “Ik zie Hollywood al seen grote samenzwering.” The Daily Tiger 26 Jan 2006: 5.

Mik, Edzard. “Honderd procent stedelijke herinnering.” Vrij Nederland 21 Jan 2006: 81-3.

Schoonenboom, Merlijn. “De ambtenaar naast Clinton.” de Volkskrant 19 Jan 2006: 22.

Cerniauskaite, Neringa. “Modernizmo superzvaigzd.” Meno Dienos 6 Jan 2006: 8.

Kaiser, Laura Fisher. “A New Dynamic.” Interior Design Magazine Jan 2006: 193-201.

Sardo, Delfim  ed. “Sarah Morris.” Pintura Redux Colrccado de Arte Contemporanea Publico Serralves 2006: 46-7.

“White Cube: One Square Mile.” The City of London 2006

Knol, Meta. “This is America.” Centraal Museum Utrecht, Meulenhoff  2006: 56.

“Ambiance, Mouvement.” De Deux Cotes du Rhin, FRAC Bourgogne 2006: 84.

Mühling, Matthias. “Stage of Life- Rhetorics of Emotion.” Städtische Galerie im Lenbachhaus Munchen 2006: 150.

Keijer, Kees. “Sarah Morris Urban Portraits.” IFFR Catalogue 2006: 208-210.




“Sarah Morris: Herzog & De Meuron: An Exhibition.” Artforum Dec 2005: 107.

“Sarah Morris: Texte Zur Kunst - Edition Heft NR. 60.” Texte Zur Kunst Dec 2005: 240-1.

Soubaigne, Isabelle. “Sarah Morris.” Dec 2005.

Pollack, Barbara. “Branding, Not Buying.” Art and Auction Dec 2005: 114-8.

Stoeber, Michael. “Sarah Morris.” Kunstforum International Nov 2005/Jan 2006: 304-6.

Kane, Florence. “The Final Ten.” Vogue Nov 2005: 392.

Sausset, Damien. “Bouquet final au Palais de Tokyo.” Connaissance des Arts Nov 2005.

La Boulbenne, Xavier. “Paris a la Mode.”, 27 Oct 2005.

Siwanowicz, Ania. “Black Listed.” Self Service 25 Sept 2005: 333.

Farquharson, Alex. “Common People.” Frieze Art Magazine Sept 2005: 105.

Glanz, Alexandra. “Im Disneyland fur kluge Kopfe.” Gottinger Tageblatt Aug 30 2005.

Treier, Heie. “Korgmodernism kolm-kummend aastat hiljem.” Areen 15 Aug 2005.

Huntington, Richard. “A Sampling of Things Abstract, Old and New.” Buffalo News 13 Aug 2005.

Finch, Charlie. “Buffalo Soldier.” Artnet 8 August 2005.

Lutticken, Sven. “Postpolitiek, pop en populisme.” De Witte Raaf July/Aug 2005: 30-1.

Simons, Riki. “Los Angeles-mix.” Elsevier 23 July 2005: 78.

Gaasch, Cynnie. “Juicy Cool.” Artvoice 21July 2005: 18-19.

Huntington, Richard. “To the Extreme.” The Buffalo News 15 July 2005: 20.

“Wood, Film, Glass and Wall Art New at Aldrich.” Danbury News Times Online

“Cover photo, Detail of ”Los Angeles” film still.” Metropolis M June/July 2005.

“Cover Illustration, KTMSS.” Monopol Magazin June/July 2005.

“Vanishing Point Opens at Wexner Center Galleries.” 24 June 2005

Lorch, Catrin. “Zehntausend Liter Luft fur Jane Austen.” Frankfurter Allgemeine Zeitung, 11 June 2005: 37.

Johnson, Ken. “Everywhere’s the Same: Nowhere in Particular.” The New York Times 3 June 2005.

Gibbs, Michael. “Populism.” Art Monthly June 2005: 22-4.

Casavecchia, Barbara. “La fabbrica dei famosi.” La Rupubblica June 2005: 103.

“Sarah Morris, Artist’s Favourites.” Spike Art Quarterly Summer 2005: 12-13.

Silva, Horacio. “Just Do It Yourself.” The New York Times Magazine 29 May 2005:  46-9.

Petrunia, Paul. “Vanishing Point.” Archinect 21 May 2005,

Schmitz, Edgar. “Pictures of Power.” The Populist, 10 May 2005: 1+.

Smallenburg, Sandra. “Kunstenaars reageren op populisme.” NRC Haandelsblad 6 May 2005.

Kaal, Ron. “Mooi voor de massa.” HP/de Tijd May 2005: 78-82.

Fujimori, Manami. “Kids Atelier Angels insert” Vogue Nippon May 2005:  26-7.

Mauricio, Gustavo. “The Monaco Fountains.” La Isla Times Apr 2005: 1-16.

Coen, Jessica. ed., Gawker, Web Blog, March 8, 2005,

Howlett, Margaret. “Urban Mazes.” Scholastic Art March 2005: 11.

Saltz, Jerry. “We Are Theirs.” The Village Voice 23 March 2005: 80.

Schambelan, Elizabeth. “Extra!: New Film.” V Magazine Issue 33, Spring 2005.

Verini, James. “Gossip, It Seems, Is Now Unprintable.” The New York Times 27 Feb 2005.

Kunitz, Daniel. “Gallery-Going.” The New York Sun 24 Feb 2005: 21.

Meltzer, Marisa. “Pulse: LA Confidential.” New York Post 19 Feb 2005: 25.

Westerbeke, Julia. “Hot Shots.” Time Out New York 17 Feb 2005:  58.

Wilson, Eric. “Oscar Through a Different Lens.” The New York Times Front Row 15 Feb 2005: B7.

Smith, Roberta. “Corporate Taste in Art and the Art of Donation.” The New York Times Arts & Design 4 Feb 2005.

“I Want That One: Fashion, Art and Music News” i-D February 2005: 78.

Kazanjian, Dodie. “Hollywood Ending.” Vogue Feb 2005: 138.

Clover, Jenny. “A Waif’s Progress.” The Observer 30 Jan 2005.

Ricupero, Christina. Larsen, Lars Bang, Schafhausen, Nicolaus, eds., “Populism.” Stedelijk Museum Bulletin: 51-55.

Grenier, Catherine. “Destruction, Big Bang, Destruction et Creation.” dans L’art du 20 siècle 2005:  41-3.




Buck, Louisa. “Miami Through the Artist’s Eye- and Tastebuds.” The Art Newspaper 1 Dec 2004: 6.

Graw, Isabelle. “Der Letzte Schrei.” Texte Zur Kunst Dec 2004: 84.

Petronio, Ezra and Moisdon, Stephanie, “Bar Nothing by Sarah Morris.” Self Service Issue No. 21, Fall/Winter 2004: 302-15.

Lorch, Catrin. “Drei Minuten konnen ein Leben sein.” Monopol Oct/Nov 2004: 118-23.

Rebhandl, Bert. “Drei Minuten bis zur Ahnlichkeit.” Der Standard 25 Oct 2004.

Ackermann, Tim. “Facelifting für Hollywood.” Taz 7 Oct 2004.

Müller, Vanessa. “Im Dickicht der Farben.” Der Tagesspiegel 2 Oct 2004.

Hubner, Klaus. “3’.” Westzeit Nettel Oct 2004.

Gordillo, Luis. “La pintura? Bien, gracias.” Exit Express Oct 2004: 9

Niewalda, Sebrina. “10 3 minute Films From 10 International Artist.”, Oct 2004.

Roman, Shari. “That’s Entertainment.” Filmmaker Vol. 13, No.1, Fall 2004: 8.

Nowak, Christine. “Hollywoods Alltag und andere Zwischenwelten.” Offenbach Post 30 Sept 2004: 27.

Young, Paul. “Oscar Night Insight.” Vlife Dec/Jan 2005: 38.

Dawson, Jessica. “Married, With Art.” The Washington Post 23 Sept 2004: C01

Rushmer, Becky. “Sarah Morris: Los Angeles.” Blueprint No. 221, July 2004: 102.

“Sarah Morris: Los Angeles.” AXM July 2004: 79.

Garnett, Daisy. “In Vogue.” Vogue July 2004: 93.

“Basel on my Mind, Sarah Morris.” Monopol No. 2, June/July 2004: 18 .

“Umfrage, Have You Been Thinking of Leaving New York Lately and Why?” Texte Zur Kunst June 2004: 105-6.

Hackworth, Nick. “Into the Belly of the Beast.” Dazed and Confused Vol. 2, Issue 14, June 2004: 138-41.

Güner, Fisun. “The Grid and the Good.” Metro 7 June 2004: 26 .

Hackworth, Nick. “City of Angels Captured in a Riot of Colour.” Evening Standard 9 June 2004: 51.

Wood, Gaby. “Deconstruction Worker.” Harpers & Queen June 2004: 128-33.

Coomer, Martin. “Parallel Lines.” Elle June 2004: 52.

Oddy, Jason. “Machine-Powered Pictures.” Modern Painters Vol.17 No. 2: 103-5.

Wood, Gaby. “Cinéma Vérité.” The Observer Magazine 23 May 2004: 22-7.

Siegel, Katy. “Hollywood Unveiled.”  Art Review  Ed. V2N5: 68-75.

Warnecke, Thomas. “Schirn-Shorts.” Schnitt April 2004.

Guy Nicchols, Matthew. “Sarah Morris at Friedrich Petzel.” Art in America April 2004: 129-30.

Gauthier, Michel. “Abstract City.” Les Cahiers Spring 2004: 34-53..

Sample, Hilary. “Maintenance Architecture.” Praxis Issue 6, 2004: 106-13.

Farr, Christopher. “Sarah Morris.” Icon Issue 10 February 2004.

Mette, Sandbye. “Kunstrevy.” Weekendavisen 12 February 2004..

Nielsen, Toke. “Maleri pa sporet af et motiv.” Information 3 February 2004

“Fortsat En Passion for Storbyer Det Skersonda Jyllandspoten.” Morgenavis 31 January 2004 .

“Leg Med Kunst, Maleri af Sarah Morris.” Femina 30 January 2004: 38.

“Den amerikanske overdadighed Storbyens puls.” Kristeligt Dagblad 23 January 2004.

Hornung, Peter Michael. “Portraet af samfundet der aldrig sover.” Politiken 23 Jan 2004.

“Event of the Week: Sarah Morris at Kunstforeningen.” In & Out The Copenhagen Post Guide   (cover) 15 Jan 2004.

Scavenius, Bente. “Taet pa storbyernes rum og larm.” Borsen 14 Jan 2004.

Kristensen, Pernille. “Anker I magtens korridorer.” Kunst and Kultur 12 Jan 2004.

“Sarah Morris I Kobenhavn.” Borsen 2 Jan 2004.

Pollack, Barbara. “The Catalysts.” ArtReview 2004: 67.

Wagner, Thomas. “Wer Kurzer Dreht, hat Langer recht.” Frankfurter Allgemeine: 37.

Grassner, Hubertus.Preface”. Moving energies # 02 1, Museum Folkwang Essen 2004.

“Sarah Morris.” 20 Years of Parkett, Part III, Parkett No. 72, 2004.




“Sarah Morris, Project Room.” Tema Celeste Nov/Dec 2003: 82-7.

“Sarah Morris.” The New Yorker 15 Dec 2003: 26.

“Sarah Morris.” The New Yorker 8 Dec 2003: 33.

Schmitz, Rudolf. “Bangemachen Gilt Nicht.” Suddeutche Zeitung 18 Nov 2003.

Jansen, Gregor. “Adorno im Kunstverein.” Kunst-Bulletin 12 Nov 2003.

Holroyd, Alex. “A Colourful Celebration.” Morning Star 3 Nov 2003.

Nowak, Christine. “Kunst von Adornos Theorien Beflugelt.” Offenbach Post, 30 Oct 2003.

Peschke, Marc. “Die Schwierigkeit, Nein zu Sagen.”, Der Wochenplaner für Frankfurt und Rhein-Main Frankfurt 23-29 Oct 2003.

Willfuhr, Corinna. “Adorno Kommt Gut An.” Frankfurter Rundschau 28 Oct 2003.

Hierholzer, Michael. “Die Sehnsucht Nach dem Verschwundenen.” Faz-Sonntagszeitung 26 Oct 2003.

Aiden, Rose. “Brush with Fame.” The Observer Review 12 Oct 2003: 5.

Anke, Snoek. “Adorno Blijft Kunstenaars Inspireren.” Filosofie Magazine Oct 2003.

Pisano, Hortense. “Radikal Minimal.” Journal Frankfurt Oct 2003.

Keats, Jonathon. “The Art of Architecture.” Dwell Sept 2003: 116-122.

Werneburg, Brigitte. “IchNnenne es Strategische Odipale.”  Tazmag 26 July 2003: v.

Laub, Gillian. “Private Viewing.” Self ServiceNo. 18, Spring/Summer 2003: 158-9.

Sanders, Charlotte. “Sarah Morris and House of Jazz.” British Vogue. May 2003, 222-23.

“Swimming Pool.” French Vogue May 2003: 52.

“Style: Vision On.” British Vogue May 2003: 67.

Pointurier, Marie. “Hors Saison.” British Vogue May 2003: 96.

Colard, Jean-Max. “Sim City.” Les Inrockuptibles #387, 30 April – 6 May 2003: 76-7.

Tremblay, Nicolas. “Pool Position,” Numéro No. 42, April 2003: 68

“Gleaming the Cube.” V No. 22, March/April 2003.

Denny, Ned. “Variety Show.” New Statesman 17 March 2003: 4.

Darwent, Charles. “You Could Call it Post-Op, but ‘Aimless’ Would Do.” The Independent on Sunday 12 March 2003: 10A.

Gayford, Martin. “All Things Bright and Banal.” The Sunday Telegraph 2 March 2003.

Herbert, Martin. “Days like These: Tate Triennial Exhibition of Contemporary British Art.” 2003 Art Monthly March 2003: 264-265.

Dorment, Richard. “Serious Pleasure.” The Daily Telegraph 26 Feb 2003.

Searle, Adrian. “There’s Nothing Gentle about Days Like These.” The Guardian 25 Feb 2003: 13.

“London Tate Britain: Days like these.” Contemporary 47/48: 40-1.




Parker, Lauren. “Tale of Two Cities.” Smock Winter 2002.

Aidin, Rose. “Sarah Morris.” Elle Decor Dec/Jan 2002: 68-72.

Fraser, Nathalie. “Jeu de Piste.” Numéro No. 39, Dec/Jan 2002/03: 42-3.

Dunlop, Beth. “Artist Captures Essence of Miami, A City in Motion.” Miami Herald 15 Dec 2002: 3m.

“Sarah Morris at Miami MoCA.” The Miami Herald 1 Dec 2002.

Kinsman, Chloe. “Urban Abstraction.” Royal Wings November-December 2002: 19.

Conner, Martin. “Rapture.” Time Out London 6-13 Nov 2002.

Karcher, Eva. “Utopia Am Pool.” German Vogue Nov 2002: 171-2.

“Books: Style Press.” British Vogue Nov 2002: 69.

Smith, Roberta. “Clare Woods.” The New York Times 21 Oct 2002.

“Rapture.” Design Week 10 Oct 2002.

Smith, Roberta. “Torben Giehler.” The New York Times 4 Oct 2002.

“Focus Painting Part One: Sarah Morris” Flash Art October 2002: 83.

“Art Loves Fashion.” Loaded Magazine Oct 2002.

“Pure Rapture.” International Textiles Sept 2002.

Richards, Kristina. “Hot-Colored Cashmeres.” Harper's Bazaar Aug 2002: 85.

Smith, Roberta. “Europe Shows the Staying Power of Painting.” The New York Times 21 July 2002.

Jothady, Manisha. “The Construction of Sarah Morris.” Frame Number 12, Summer 2002: 42-7.

Israel, Nico. “XXV Bienal De Sao Paulo.” ArtForum Summer 2002: 171-2.

Aidin, Rose. “Something's Afoot.” Telegraph Magazine 11 May 2002: 64-67.

Luz, Kathrin. “Hymnen ans Adrenalin, Hommagen an die Elektrizitat.” Frame April/May 2002: 94-100.

“Observer: Fine Art for Work’s Sake.” Financial Times 19 April 2002.

“Normative Krafte.” Der Standard 15 April 2002.

“Cinecity: The Films of Sarah Morris.” Washington City Paper 5 April 2002: 106.

Montague, Jemima. “Urgent Painting.” Frieze #66, April 2002: 88-89.

Desso, Howe. O’Sullivan, Michael. “Morris’s Cityscapes.” Washington Post Weekend 29 March 2002.

Bouruet-Aubertot, Veronique. “Urgent Painting.” Beaux Arts Magazine March 2002.

von Karcher, Eva. “Travel: Miami Beach.” Art Investor March 2002: 92-8.

Smith, Roberta. “The Armory Show, Grown Up and in Love With Color.” The New York Times 22 Feb 2002: E38.

Pe-Win, Stella. “Urban Grids.” The Cambridge Student 21 Feb 2002: 32

Grenon, Ariane. La France Catholique 8 Feb 2002: 26-7.

Vettese, Angela. “Oltre lo Steccato della Pittura si o Pittura.” No Il Sole – 24 Ore 3 Feb 2002.

“After Andy: Ten Artists Discuss The Significance of Warhol For Them.” Contemporary Visual Arts Feb 2002: 32-9.

Michelon, Olivier. “Un Debrayage Bienvenu.” Journal des Arts 25 Jan – 7 Feb 2002.

Regnie, Philippe. “Attention Peinture!” Journal des Arts 25 Jan – 7 Feb 2002.

Dagen, Philippe. “L’Urgent Painting avec Precipitation.” Le Monde 25 Jan 2002 .

Pakesch, Peter. “After Reality.” Painting on the Move 2002: 218-230.

Mahrzan, Alexander. “Kunsthalle: Statt Selbstbehauptung Waltet dieBestimmtheit.” Basler Zeitung: 45-46.




Bethenod, Martin. “Le Portrait de MRCLBRNT.” Connaissance des Arts #587, Oct 2001: 102-9.

Johnson, Ken. “Crystal.” The New York Times 21 Dec 2001.

“If You Could Have Any Five Artworks for Your Home, What Would you Choose?” Frieze Nov/Dec 2001: 75.

Klein, Jennie. “It’s A Beautiful Morning.” New Art Examiner Nov-Dec 2001: 75-81.

Rindge, Debora. “Reviews SouthWest: Santa Fe.” Art Papers Nov-Dec 2001.

Dee Mitchell, Charles. “Making the Case for Pleasure.” Art in America Nov 2001: 122-9.

De Righi, Roberta. Liebesperlen und Bandnudeln, AZ, 31 October 2001.

Grockel, Cornelia. “Im Sog des Kirschroten Mundes.” Suddeutsche Zeitung 29 Oct 2001: 16.

Erfle, Anne. “Mit dem Dung von Elefanten.” Suddeutsche Zeitung Extra 25 Oct 2001.

Von Astrid, Mayerle. “Die Malerei Kehrt Zuruck.” Die Welt 25 Oct 2001.

Dattenberger, Simone. “Mit Strahlender Vitalitat.” Munchner Merkur 23 Oct 2001.

Kempkes, Anke. “Sarah Morris.” Frieze No. 62, Oct 2001: 100-1.

Duncan, Michael. “Beau Monde: Towards a Redeemed Cosmopolitanism.” ArtForum Oct 2001: 153-4.

Harris, Susan. “Beau Monde: Towards a Redeemed Cosmopolitanism.” Tema Celeste Sept/Oct 2001.

Imdahl, Georg. “Wo Huaser zu Phantomen Verschwimmen: Saisonstart in Koln.” FAZ 15 Sept 2001.

Boecker, Susanna. “Abstraktion von Lebensraumen.” Kolner Stadtanzeiger 21-27 Sept 2001.

Frangenberg, Frank. “Die Welt im Minimalen Raster.” Kolner Stadtanzeiger 8-9 Sept 2001

“Sarah Morris.” ZOO Sept 2001: 144

Kuhn, Nicola. “Big City Fascination.” The Berlin Journal No. 2, Summer 2001: 22.

Rizk, Mysoon. “Comfort.” New Art Examiner July/Aug 2001: 90.

Troncy, Eric. “Leurs héros.” Numéro25: July - August 2001: 94-105.

Lehnart, Ilona. “Hier Wirkt Auch Die Gegenwart Historisch.” Frankfurter Allgemeine Zeitung 9 June 2001.

Daniels, Corinna. “Rastlos in der Grossen Rasterstadt.” Die Welt 4 June 2001.

“Der Charme der Pappbecher-Helden.” Focus No. 23, 2 June 2001: 120.

Von Kuhn, Nicola. “Betorungen Grosfstadt.” Der Tagesspiegel Kultur 2 June 2001: 25.

Thiem, Anne. “Wohlstrukturiertes Chaos.” Berliner Morgenpost 1 June 2001: 19.

“Berlin Liegt Leider Nicht in Amerika.” Berliner Zeitung 1 June 2001.

Spaid, Susan. “Comfort.” Artext June 2001: 82-3.

Peden, Paul. “Hybrids.” [a-n] Magazine June 2001.

Godfrey, Tony. “Exhibition Reviews.” Burlington Magazine June 2001: 390-392.

Morris, Sarah. “Like This Cherry.” Texte Zur Kunst 42, June 2001: 134-9..

“Hybrids.” Tema Celeste May/June 2001.

Gleisser, Benjamin. “Center of Attention.” Northern Ohio Live May 2001.

Ryan, David. “Hybrids.” Art Press No. 269, May 2001: 75-6.

Siekkinen, Riitta. "Maalaustaide Risteytyy ja Ajankohtaistuu.” Kaleva May 2001.

Cowan, Amber. “Hybrids.” The New York Times 31 April 2001: 1F.

Hornbrook, Kathy. “Museum of Contemporary Art reclaiming 'Comfort' Zone.” The Plain Dealer 27 April 2001.

“Pushing the Boundaries of Art.” Wrexham Evening Reader 25 April 2001.

Handley, Malcolm. “Room for Excitement in Potent Color Mix.” Daily Post 19 April 2001.

Clark, Robert. “Hybrids.” The Guardian 18 April 2001.

Darwent, Charles. “Crossover Canvases Dressed Up as Film? That's not Painting, It's Panic.” The Independent on Sunday 15 April 2001.

Litt, Steven. “A Spunky Vision of Domestic Future in the Modern Age.” The Plain Dealer

Key, Philip. “A Thoroughly Modern Mix.” Daily Post 6 April 2001.

“Hybrids.” North West What's On April 2001.

Shave, Stuart. “You Must Curate!”, i-D No. 208, April 2001: 203.

Chapman, Miles. “Jenny and the Amazing Technicolor Guest House.” Elle Décor April 2001: 192-197.

Dannatt, Adrian. “Let Them Eat Art.” The Art Newspaper  April 200: 15.

“Hybrids.” Merseyside Arts March/April 2001.

“The Future of Comfort.” Flash Art March/April 2001: 50.

Yannopoulos, Charles. “Digital Discomfort.”, 29 March 2001.

Herbert, Martin. “Playing Amongst the Ruins.” TimeOut London 21-28 March 2001: 50.

Max, Douglas. “Utter Cold Comfort.” Cleveland Free Times 14 - 20 March 2001: 26.

“Number 4.” Artivents 6 March 2001.

“Comfort.” Dwell March 2001.

Troncy, Eric. “Époque Épique et Pop.” Numéro #21, March 2001: 185-95.

“Sarah Morris and the Zurich Kosmos Laser Beam.” Flash Art January - February 2001: 52.

Kosmos, Zurich. “Laserart.” Frame Jan/Feb 2001.

“Thrifty Tips.” Vogue January 2001: 68.

Mayer, Anite. “Wein: Sarah Morris Steigt aufs Dach.” Kunstzeitung Jan 2001: 19.




Geerling, Let. “Geschilderde Natuurbeelden.” Metropolis M Dec/Jan 2000/2001: 24-8

“Zeichen Setzen.” Top Gewinn Dec 2000.

Birnbaum, Daniel. “What If: Art on the Verge of Architecture and Design.” ArtForum Dec 2000: 143.

“Laser-Kunst in der Lasallestrasse.” Bezirksjournal Dec 2000.

Cosgrave, Bronwyn. “A Fashion for Female Painters.” Harvey Nicols Magazine Winter 2000: 35-36.

Morris, Sarah. “Tyre” Zing Winter 2000: 115-6.

“Twisted.” Witte Raaf Nov/Dec 2000.

Hunt, David. “When Worlds Collide.” Time Out 16 – 23 Nov 2000: 81.

“Up on the Roof with Sarah.” Austria Today 7 - 13 Nov: 9.

Spijkerman, Sandra. “Beeldende Kunst.” Trouw 1 Nov 2000: 17.

“Twisted.” Vitrine Nov 2000.

Baldon, Diana. “Sarah Morris.” Tema Celeste Oct/Dec 2000: 91.

Grzonka, Patricia. “Clever and Smart.” Profil 23 Oct 2000: 182-4.

Kattenberg, Peter. “Kunstmatige Schilderkunst.” Financieele Dagblad 14 Oct 2000: 27

M.V. “Carp Kunst.Carp 10 Oct 2000.

Herbstreuth, Peter. “Angriff an der Oberflache.” Berliner Tagesspiegel 7 Oct 2000.

“Twisted.” Expats Magazine 6 Oct 2000: 40.

S.B. “Limo Chic.” British Vogue Oct 2000: 40.

“Know Your Lobsters.” POP Autumn/Winter 2000/01: 115-6.

Jothady, Manisha. “Sarah Morris.” Frame Sept/Oct 2000: 127.

Stierner, Flora. “De tijdgeest Betrapt.” Algemeen Dagblad 26 Sept 2000: 29.

“Twisted.” Weekblad Voor Deurne 9 Sept 2000.

MacRictchie, Lynn. “Style for Style’s Sake.” Financial Times 12-13 Aug 2000.

Herbert, Martin. “Sarah Morris.” Time Out 2 - 9 Aug 2000: 50.

Cosgrave, Bronwyn. “Desert Storm.” British Vogue Aug 2000: 164-167.

Uberblick, Peter Jens. “Ein and Koerver, New Painting.” Frame July/Aug 2000: 40.

Buck, Louisa. “Sarah Morris.” The Art Newspaper July/Aug 2000: 71.

Grant, Simon. “Lost and Vague in Las Vegas.” Evening Standard 21 July 2000.

Morley, Simon. “Two Painters and a Fresh Attempt at Subversion.” The Independent on Sunday 16 July 2000: Culture  4.

Allfree, Claire. “Sarah Morris.” Metro 10 July 2000: 18.

Gayford, Martin. “Viva Las Vegas!” The Independent Magazine 8 July 2000: 30-1.

Herbstreuth, Peter. “Megastructuren urbaner Raume.” Kunst-Bulletin July 2000: 14-9.

Buys, Sara. “Don’t Miss.” British Vogue July 2000: 31.

“Sept Façons de Voir Kate Moss.” PHOTO July 2000: 20.

Basting, Barbara. “Aus der Grossen Jukebox.” Frankfurter Allgemeine Zeitung 24 June 2000: 55.

Graw, Isabelle. “Glanzend in die Moderne Verwickelt.” Die Tagezeitung 16 June 2000: 15.

“Hysterisch Sexualisiert.” Zuritipp Tages Anzeiger 8 June 2000: 56.

Moore, Margaret. “Sarah Morris.” Hemispheres June 2000: 90-5.

Graw, Isabelle, “Learning from Fashion.” Make #88, June 2000: 18-9.

Karcher, Eva. “Die Jungen Bunten.” German Vogue June 2000: 62-4.

“Vienna: Sarah Morris, AUA.” Skylines June 2000.

Troncy, Eric. “Pop Star.” Numéro No. 13, May 2000: 168-173.

“Konst Design och Arkitektur.” Upsala Nya Tidning 4 May 2000.

Hedberg, Hans. “What If.” The Nordic Art Review no. 5, 2000.

Picardie, Justine. “Creating Kate.” British Vogue May 2000: 158-171.

O'Connell, Alex. “Moss is Muse for Brit Art Pack.” The Times 15 April 2000: 9+.

Pesch, Martin, “Sarah Morris.” Kunstforum April/June 2000: 425-6.

Eberl, Robert. “Die Raster-Queen.” International Spring 2000: 110-5.

A.K., “Talking Fashion.” Vogue March 2000.

Dailey, Meghan. “Sarah Morris.” ArtForum March 2000: 130.

Kuhn, Nicola. “Selbstportrat in Sandaletten.” Der Tagespeigel 27 Feb 2000: 25.

Cotter, Holland. “With a Nervy Sense of Today.” The New York Times 25 Feb 2000.

Neubaur, Caroline. “Ankerplatz fur US-Intelligenz.” Focus Feb 2000: 138-141.

T.S., “Fetische der Grosstadt.” Art Feb 2000: 85.

Von Heydebreck, Amelie. “Dichten und Forschen am Wannsee.” Berliner Zeitung 28 Jan 2000.

Tatlow, Kirsten. “American Academy stellt Fruhjahrsprogramm 2000 vor.” 28 January 2000.

Bennett, Oliver. “Midtown - HBO/Grace.” The Independent Magazine 1 Jan 2000: 6.

Lintzel, Aram. “Hier ist Noch Niemand fit for Fun.” Frankfurter Allgemeine Zeitung: BS3




Scott, Andrea. “Sarah Morris.” The New Yorker 20 Dec 1999: 18.

Saltz, Jerry. “Out of the Fog.” The Village Voice Dec 1999.

Graw, Isabelle. “Bilderstreit.” Texte Zur Kunst Dec 1999: 194-7.

Smith, Roberta. “Sarah Morris.” The New York Times 26 Nov 1999: E41.

Fiedler, Tanja. “Jagerin Der Codes.” Berliner Morgenpost 2 Nov 1999: 23.

Hunt, Jemima. “For Your Eyes Only.” British Vogue Oct 1999: 64-67.

Kuhn, Nicola. “Visuelle Ode an den Flimmer.” Der Tagespeigel 16 Sept 1999: A6.

Pryde, Josephine. “Corporate Chic.” Text Zur Kunst No. 35: 306-11.

Caniglia, Julia. “Frieze.” ArtForum Sept 1999: 171-2.

Cosgrave, Bronwyn. “It's Show Time.” British Vogue Sept 1999: 148.

Troncy, Eric. “Les Enfants d'Andy Warhol.” Numéro 4 June 1999: 150-5.

Elwes, Catherine. “Sarah Morris.” Art Monthly June 1999: 226-227.

Heathcote, Graham. “Mysteries of Life Bind.” The Herald Sun 28 May 1999: 2.

Searle, Adrian. “Life Thru a Lens.” The Guardian 4 May 1999, G2: 12-3.

“A Couple of Swells.” British Esquire May 1999: 176.

Shave, Stuart. “Up For It.” i-D No. 186: 90.

Peacocke, Helen. “Bold Grids of Color.” The Oxford Times 16 April 1999: 17.

Farquharson, Alex. “Painting Lab.” Art Monthly No. 225: 34-6.

Morrison, Paul. “Bonjour Monsieur Caufield.”  Contemporary Visual Arts No. 22:  26-32.

Gisbourne, Mark. “I Love New York.” Contemporary Visual Arts No. 2: 77.

Graf, Isabelle. “Lieblose Liebeserklarung.” Texte Zur Kunst March 1999.

O’Neill, Lorcan. “Generation XX.” Numéro 1 March 1999: 196-201.

Gunther Theil, Wolf. “Berlin Culture Discovers Style.” Flash Art #205, March 1999: 96-9.

British Vogue February 1999.

Heinz-Jocks, Norbert. “Sarah Morris - New York als Extrakt.” Kunstforum Jan 1999: 342.

“Aktuelle Malerei.” Noema Jan - March 1999: 107.

Sladen, Mark. “Painting Lab.” Contemporary Visual Arts Issue 21: 32-37.

Packer, William. “Dumb by Name But Not by Nature, Financial Times.” 12 January 1999.

Morley, Simon. “The Painted Word.” Contemporary Visual Arts #23: 22-7.

Tozer, John. “Sarah Morris.” Contemporary Visual Arts #23: 62.

Art Press #245: 10.

Lubbbke, Maren. “Aufnahmen.” Camera Austria #66: 118.




Collings, Matthew. “Diary Modern Painters.” Winter 1998.

Hilton, Tim. “Dumb, Dumber, and Dumbest.” The Independent on Sunday 13 Dec 1998.

Byrne, Richard. “Exit Poll.” The Independent 12 Dec 1998.

Kent, Sarah. “Dumb and Dumber.” Time Out 9 - 16 Dec 1998.

Benjamin, Marina. “Meet The Dumbpop Pack.” Evening Standard 2 Dec 1998: 35.

Luz, Kathrin. “Pop, Plop, Ex und Hopp.” Die Ziet 12 Nov 1998: 59.

Haase, Amine. “Kunst aud der Disko-Treppe.” Kolner Stadt-Anzeiger 6 Nov 1998.

Negrotti, Rosanna. “States of Mind.” What’s On 7 Oct 1998.

‘In Safe Hands.” i-D Oct 1998.

Packer, William. “The Pointlessness of Irony.” Financial Times 16 Sept 1998.

Gayford, Martin. “The Art Game.” The Spectator 12 Sept 1998:  48.

Farel, Zena. “All the Young Guns.” Arts 11 Sept 1998.

Coomer, Martin. “Young at Art” Time Out 9 - 16 Sept 1998: 51.

“Young Americans 2.” The Times 5 Sept 1998: 5.

Sakuramoto, Yuzo. “Jungk.” Music No.2. 1998.

Crabtree, Amanda. “Maladie Imaginaire?” Art Monthly April 1998: 7.

Holmqvist, Karl. “Hospital.” Flash Art #199, March/April 1998: 79.




Werneburg, Brigitte. “The Good Beuys.” Taz 20 – 21 Dec 1997.

Tannert, Christopher. “Zwischen Hospital.” Berlliner Zeitung 20 - 21 Dec 1997.

Fiedler, Tanja. “Auf dem Pappbett endet die Sehnsucht.” Morgenpost 12 Dec 1997.

“Schwarzwaldklinik.” Ticket 11 Dec 1997.

"The Apartment.” Elle Decoration Dec 1997: 76-83.

Gauville, Herve. “Les Murs de l’Expo Ont la Parole.” Liberation 20 Nov 1997: 29.

Morris, Sarah. "Ersatz." Dazed & Confused October 1997: 130-5.

Casadio, Mariuccia. “Spooky Pop.” Vogue Italia Oct 1997: 574-561.

Gunther Thiel, Wolf. “Found Footage.” Flash Art May 1997: 75.

Kornbluth, Jesse. “Is South Beach Big Enough For Two Hotel Kings?” New York Times 16 Feb 1997: 53.

de Jonge, Peter. “The Rubells in Miami.” Harper’s Bazaar Feb 1997: 204-9, 223.

“Exporama.” Art Press Feb 1997:16.

Troncy, Eric. “Sarah Morris.” Flash Art Jan 1997, No. 192: 103.

Goumarre, Laurent. “Homogeneite et Feminisme.” Jan 1997, No.3: 58.




Gillick, Liam. “Future Intense.” Documents Sur L’art Winter 1996/97, No.10: 40.

Rubell, Jennifer. “Two Girls on the Phone.” Documents Sur L’art Winter 1996/97, No.10: 40-7.

Core, Yan. “Sarah Morris, Liar.” Technikart No.7, Nov 1996: 18.

Morris, Sarah. “Permanent Food.” Specific Object No. 2, 1996: 143 & 173.

Kent, Sarah. “Sarah Morris.” Time Out 20-27 March 1996: 53.

“Donuts.” LS 7 March 1996.




McKinley, Jr., James. “For Artists There’s No Art in a Wrecking Ball.” New York Times 20 Dec 1994: B1.

Budney, Jen. Flash Art Oct 1994: 96.

Ashenberg, Katherine. The New York Times June 1994: 14.



1993 and earlier

Filipovna, Valerie. “Psychos.” Paper Oct 1993: 22.

“New York: Home Alone.” Flash Art No. 170, May/June 1993: 108.

Seward, Keith. “Sarah Morris.” ArtForum December 1992: 93.

“The Question of Gender in Art, Sarah Morris.” Tema Celeste Autumn 1992: 65-66.

Smith, Roberta. “The Curio Shop.” The New York Times 3 July 1992.

Morris, Sarah. “Citizens.” Balcon No. 8-9, 1992: 249-258.

Joseph, Regina. “Morris & Overman: Postmasters.” Artscribe International N. 85, Jan/Feb 1991: 82.

Ewen, Stuart. “De-Sublimated Advertising.” ArtForum Jan 1991: 27-28.

Mahoney, Robert. “Reconnaissance.” Tema Celeste N. 27-28, Nov/Dec 1990: 70-1.

Reschop, Julia. “Reconnaissance.” Paper May 1990.

“Sarah Morris and Jeff Koons (Interview)” Galleries Magazine April/May 1990: 126-133.

Morris, Sarah. “Collins & Milazzo.” Flash Art No. 149, Nov/Dec 1989: 168-176.

DeCurtis, Anthony. “Postmodern Romance.” Rolling Stone 23 March 1989: 145-148.